Wonderfully evoked natural scenes and portraits of hunters from a free-lance writer. Fergus was 39 when he developed a ``strange, overpowering obsession with bird hunting''—which he hadn't thought about since he was a boy—and came home with a shotgun and a yellow Labrador puppy, Sweetzer, named after a mountain ridge in Idaho, where Fergus and his wife lived. Once Sweetzer and Fergus learned the fundamentals, the author decided they would attempt to hunt as many bird species in different habitats as is possible in a season. Thereupon hangs Fergus's picaresque tale, in which he and Sweetzer cover 17,000 miles in five months, from stalking chukar partridges on rocky Montana mountainsides to shooting snipe in the steamy Mobile delta. Fergus paints wonderful portraits of his hunting companions—from novelists Richard Ford and Robert F. Jones to Florida blue-bloods, from dirt farmers who gladly stop their work to take Fergus and Sweetzer on a quick grouse hunt to ``slob'' hunters who ride the roads drinking beer and shooting birds on the ground. The dogs here are also all memorable personalities, as befits bird hunters' closest partners. To his credit, Fergus presents the current antihunting arguments and talks them over with leading bird biologists; most contend that habitat loss, rather then hunting pressure, has been responsible for the declines in bird populations. Among his adventures, Fergus goes on several organized hunts in preserves (one with a group of grim big-city detectives, who blow every bird to shreds) and laments that so much habitat in the US is becoming privatized—a situation long extant in Europe, where bird hunting is an exclusive pursuit of the rich. A top-notch dog-and-gun-book, with sympathetic focus on humans and animals as well as some fine nature writing.
Pub Date: Sept. 1, 1992
ISBN: 0-8050-1619-8
Page Count: 288
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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