A celebration of eating well and drinking even better as a recipe for the good life.
This posthumous collection of food pieces (very broadly defined) by the award-winning novelist serves as a sequel of sorts to The Raw and the Cooked (2001), which documented his insatiable hunger for food, from the mundane to the exotic to the exquisite, and so much more. The linchpin of a collection that holds together surprisingly well is the title piece that he wrote for the New Yorker in 2004, an essay that scandalized some readers in its embrace of excess. “Is there an interior logic to overeating, or does gluttony, like sex, wander around in a messy void, utterly resistant to our attempts to make sense of it?” he wonders. “Not very deep within us, the hungry heart howls, ‘Supersize me!’ ” Some of the other essays also reference this piece, in its vivid description of its 37 courses, along with his ironic complaint that only 19 wines accompanied it. He later writes, “I have often thought that if I received an early warning that I would pass on sooner than later, I’d get myself to Lyon and eat for a solid month, after which they could tip me from a gurney into the blessed Rhone. Maybe I’d swim all the way downstream to Arles for my last supper.” In the latter half of the collection, Harrison proceeds through just the kind of extended warning that the author had suggested, with the thoughts on the way he has lived his life underscored by the ravages he is experiencing. Along the way, the author waxes wickedly funny over matters of art, politics, spirituality, sex, and the commingling of all of them. His advice: “Your meals in life are numbered and the number is diminishing. Get at it.”
If this is the last we get from Harrison, it serves as a fitting memorial.Pub Date: March 24, 2017
ISBN: 978-0-8021-2646-7
Page Count: 272
Publisher: Grove
Review Posted Online: Jan. 10, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Categories: GENERAL NONFICTION
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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Categories: GENERAL NONFICTION
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BOOK REVIEW
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Categories: GENERAL NONFICTION | BIOGRAPHY & MEMOIR
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