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AMERICAN STILL LIFE

A gripping tale of a troubled artist and her forced homecoming, replete with American pathos.

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In Naremore’s novel, a talented photographer must confront her painful personal history when she returns to the town where she went to high school.

Readers meet the curiously-named Skade Felsdottir (rhymes with “shade,” she tells a police officer) as she is crisscrossing America’s highways in her ancient Jeep Wagoneer. Skade’s apparent destitution is confusing, at first, as she is a highly sought-after photographer—so much so, in fact, that she has recently won the Klausterman Prize, an honor that carries the additional benefit of a fairly lucrative book deal with the venerable Chancery publishing house. But as readers spend just a few pages with Skade, they come to suspect what may be holding her back: Never more than a few minutes pass by without her reaching for a vodka bottle. She drinks everywhere she can, and even a few places she can’t, like behind the wheel of that beaten-up Wagoneer, which she has been living out of. With a scant month left before her deadline to turn in her final manuscript including all of her photos and narrative descriptions, Skade is lightyears behind where she needs to be, and the only way she can think to wrangle more time from her publisher is to photograph a set of ceremonial totem poles they’re interested in. This normally wouldn’t be so bad, but these totem poles are located in Carleton, the small town outside of Chicago where Skade attended high school. As she returns to her old haunts, readers come to understand that her drinking may have taken root here after a horrible (and especially bloody) accident on the road that she yearns to forget. Skade reconnects with an old boyfriend (though she knows better) and meets Kit, a young woman whose own trajectory shares striking commonalities with Skade’s troubled past.

Naremore’s novel tells, in some ways, a familiar story: A struggling protagonist returns to her hometown, where she is forced to settle with the demons of her past. But the author’s keen powers of description make the novel feel fresh: “She was a needle pulling stitches across a gas station road atlas of America… Her sutures ran roughly along the line where the names began to change from things like Manatoc and Muskeegum and Oswego and Kankakee—to Fortville and Columbus and English and Whitestown”. Such sweeping, gripping descriptions of the American landscape are pleasingly commonplace here, and, together with the descansos that Skade photographs, they establish a noir-ish, pastoral flavor to Naremore’s setting that feels both new and authentic. Skade is a character who readers haven’t met before and will want to spend time with, her troubling alcoholism aside—one can’t help but be taken with a woman who, hungover to the gills and without a clean swimsuit, simply decides to hop the fence of the closed motel pool and swim in her underwear amongst the floating husks of junebugs and the buzzing of hungry mosquitoes. Readers, too, will put up with any small nuisances to stick with Naremore’s seductive narrative.

A gripping tale of a troubled artist and her forced homecoming, replete with American pathos.

Pub Date: Dec. 17, 2024

ISBN: 9781646035052

Page Count: 241

Publisher: Regal House Publishing

Review Posted Online: Dec. 11, 2024

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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