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THE KNIGHTS CAME RIDING

Not a page turner but still a satisfying, descriptive presentation of locations and complex personalities.

An open, sensitive story about a robust, life-loving father and his adult son, Nicolson’s third novel takes the reader on a journey of discovery.

Two-time widower Seumas McKinnon is the story’s anchor, a man who must untether himself from his son, Alasdair, who has had all the blessings of life handed to him. Seeking the solace of the Isle of Skye in Scotland, Seumas embarks on a quest to re-discover his roots and learn a bit of Gaelic. While there, he meets Morag, a lovely middle-aged “copper-haired” woman who works in a local coffee shop. Slow to trust men after a failed relationship, Morag gradually develops a deep and loving connection with Seumas. The book’s parallel storylines also explore Alasdair’s changing life. A playboy lawyer with striking good looks, Alasdair finally meets his match in beautiful Annie O’Hare, a physiotherapist with roots in Hong Kong. At first, Annie and Alasdair treat their relationship with casual abandon—no strings, no expectations.  But Annie is unlike other women. She spars with, challenges and draws the best out of Alasdair. Fascinated by each other, the two move their relationship to the next level as they both slowly recognize the love they share for each other. Nicolson uses their romance to contrast a number of relationships in this story. For example, Seumas’ neighbor has an antagonistic marriage that makes Seumas appreciate his connection with Morag, a relationship that finally helps him overcome the guilt of remarrying when his first two wives were taken from him. The story drags a bit toward the center, with often predictable plotlines and not enough conflict or surprise. But the pace accelerates as both father and son move toward their destined relationships. Things really pick up when a nearly fatal accident challenges both the father-son bond and Annie and Alasdair’s love.

Not a page turner but still a satisfying, descriptive presentation of locations and complex personalities. 

Pub Date: July 19, 2012

ISBN: 978-1475938043

Page Count: 300

Publisher: iUniverse

Review Posted Online: Dec. 19, 2012

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THE RULE BOOK

Haphazard and undemanding.

A sports agent’s first official client is the man she dumped years ago in college.

After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.

Haphazard and undemanding.

Pub Date: April 2, 2024

ISBN: 9780593723678

Page Count: 368

Publisher: Dell

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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