by Jim Reisler ‧ RELEASE DATE: June 5, 2012
Though the author sometimes writes like the team’s PR agent, he skillfully records the cries and struggles attending a...
A writer of numerous baseball books (A Great Day in Cooperstown: The Improbable Birth of Baseball’s Hall of Fame, 2006, etc.) shifts to another summer event, telling the little-known story of the 1896 Olympics, the first in 1,500 years.
Imagine: An American Olympian shows up for the discus event, having never really tried it before; some accommodating Greek athletes demonstrate, and he wins. Such was the state of turn-of-the-century international athletic competitions. And so it was that a small American team (14 members) traveled to Athens, having no idea what sort of competition they would face. Not much: They came home with 11 firsts to a country now ecstatic about the Games (yawns had accompanied their departure). Reisler weaves a handful of narrative threads: the story of the resurrection of the Olympic Games, and of the men who accomplished it; the primitive means of travel and lodging; the stories of the individual American athletes and accounts of the events; and some whatever-happened-to-those-guys follow-up. An American won the first medal (James Connolly in the triple jump), a couple of wealthy pistoleers, almost on a lark, headed for Greece and took firsts, and another American attempted the marathon, which was won by the Greeks, to tumultuous patriotic thunder. The American pole-vaulters passed on all the lower levels; when they were ready, all the other competitors were eliminated. Reisler writes well about the oddities—the photograph of the sprinters lined up in a potpourri of poses is a howl—but he sets us up for an exciting 100-meter race, cuts away, then disappoints later with his perfunctory account.
Though the author sometimes writes like the team’s PR agent, he skillfully records the cries and struggles attending a nearly miraculous rebirth.Pub Date: June 5, 2012
ISBN: 978-0-7627-7848-5
Page Count: 304
Publisher: Lyons Press
Review Posted Online: March 30, 2012
Kirkus Reviews Issue: April 15, 2012
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edited by Jim Reisler
by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Bonnie Tsui ; illustrated by Sophie Diao
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by Bonnie Tsui
by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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