Honest, moving, and an invaluable source of hope for those facing all manner of adversities.




In this uplifting debut memoir, a Los Angeles businessman recalls his life before and after a triple organ transplant.

Stavis was no stranger to health problems, having been diagnosed with juvenile diabetes, but after suffering a heart attack at 42 in the San Bernadino Mountains, his life transformed. After receiving CPR for 20-plus minutes and being whisked off to a nearby mountaintop clinic, Jim learned that one of his coronary arteries was 95 percent blocked. He also discovered that he had developed further complications due to his ongoing battle with diabetes. His reaction: “How lucky was I?” This remarkably upbeat attitude percolates through the entire memoir, which details a medical odyssey that included congestive heart failure, end-stage renal failure, dialysis, a heart and kidney transplant followed by a pancreas transplant, and the amputation of part of his foot. The author also battled a painkiller dependency and the loss of friend and business partner Doug Carpenter. Stavis was sanguine through all of it, but the hope he gives to others is even more remarkable. The memoir is, in part, a manifesto on how to face adversity. Stavis’ writing crackles with positivity: “Enduring requires perseverance, strength, courage, and determination to pass through this stage. Enduring also takes time. You never know how long you will have to tolerate your situation, so it’s wise to stop fixating on questions like, ‘When will this be over?!?!’ Instead, focus on moving through.” There are some unconventional moments, like when the author unexpectedly offers his email address at the end of Chapter 3. Like his role model, “Dirty” Harry Callahan, Jim rarely plays by the rules, and this strategy, along with the support of a devoted family and dedicated team of medical professionals, has made him a survivor.

Honest, moving, and an invaluable source of hope for those facing all manner of adversities.

Pub Date: April 18, 2018

ISBN: 978-1-4575-6349-2

Page Count: 151

Publisher: Dog Ear Publishing

Review Posted Online: June 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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