A wonderful collection notable for its clean prose and tone of quiet, stubborn dignity.
Winner of the Iowa Short Fiction Award, this well-worked debut collection of 11 stories delineates life’s wrenching milestones: divorce, moving, the death of a parent.
Tomlinson’s protagonists, mostly citizens of rural Kentucky, are adults in various stages of transition, not quite sure where they’re headed. In the strong opener, “First Husband, First Wife,” Cheryl has had two subsequent spouses but still can’t break her connection with the baleful Jerry, who keeps getting her into trouble with the law. “The Accomplished Son” follows Polk, a young army specialist who returns home from Iraq with his pregnant wife. He’s too late to attend the funeral of his father, wheelchair-bound for a dozen years after a gun accident that involved the town lawyer. The rage of war combined with a desperate urge to feel love for his unborn child sends Polk on a terrible mission to the lawyer’s house, seeking revenge for the catastrophe that soured his father’s life, and his own. The two stories that together form the title feature the same characters. “Things Kept” shows sisters Cass and LeAnn grappling with a crisis: They need to raise quick money to pay off the delinquent taxes their dotty mother owes on the family house in Spivey, Ky. LeAnn, who lives in Ohio, hatches the idea of selling Ma’s antique desk to salesman Dexter Chalk, a former boyfriend with whom LeAnn happens to be having an adulterous affair. In “Things Left Behind,” the lovers meet in a motel room out of a desperate need to feel in control of their careening lives. Alcoholic Dex is trying to stay sober, while LeAnn recognizes that the person who’s changed in her marriage is not her narrow-minded husband, but rather herself. Like all of Tomlinson’s characters, these two ring true and utterly human.
A wonderful collection notable for its clean prose and tone of quiet, stubborn dignity.Pub Date: Oct. 1, 2006
ISBN: 0-87745-991-6
Page Count: 170
Publisher: Univ. of Iowa
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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