The relaxed and reigning king of beach music, who most recently told Tales From Margaritaville (1989), tries his hand at a relaxed and rambling novel. It's about seaplanes, a pretty girl, a vanished rock star, the curse of jet skis, a magic scepter, disrupters of paradise, and conch burgers. Joe Merchant, of the title, is the missing, presumed dead rock star whose sister Trevor Kane has returned to Florida to enlist her old lover Frank Bama to check out rumors of Merchant's survival. Trevor left Frank, a Vietnam vet who would rather fly than get serious, years ago because he seemed to love his ancient seaplane more than he loved her. Frank's doughty seaplane, however, is just what she needs to go in search of someone named Desdemona, who might be somewhere in the Caribbean. There is a Desdemona, and she does have a psychic link to the missing musician. She's been getting extrasensory messages for months. Also on the trail of Mr. Merchant and Desdemona are trash journalist Rudy Breno and one- armed, archvillainous soldier-of-fortune Colonel Cairo. Colonel Cairo is obsessed with the restoration of his missing arm, a task requiring a missing crystal. Desdemona might know something about that. The searches are Florida-intense, which is to say that there is plenty of time for subplots about Frank's chum who has been blowing up the jet skis that make paradise too noisy, and about a coldblooded killer with eyeballs tattooed on his eyelids who's not, after all, a subplot. So laid-back and rambling it's perilously close to sloppy, but Buffett's considerable charms as a performer and goof-off artist keep things afloat. The uninitiated may be baffled; his fans will be enchanted.
Pub Date: Aug. 10, 1992
ISBN: 0-15-196296-0
Page Count: 250
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1992
BOOK REVIEW
BOOK REVIEW
A bit over-the-top but still a lot of fun.
A vicious killer follows a writer’s murderous manuscript to the letter in Danish author Engberg’s U.S. debut.
It’s only been about a year since University of Copenhagen professor Esther de Laurenti retired, and she’s been writing a novel, something she’s always dreamed of. When Esther’s tenant, 21-year-old Julie Stender, is murdered, Esther is shocked. Heading up the investigation is Copenhagen detectives Jeppe Kørner and his partner of eight years, Anette Werner, and it’s proving to be a doozy. The murder was particularly heinous: The killer stabbed Julie and carved strange designs into her face and, frustratingly, seems to have been very careful not to leave any physical evidence at the scene. Of course, as investigators start digging into Julie’s life, they discover some suitably shady secrets in her past, and it’s suggested that one of her boyfriends might have felt scorned enough to resort to murder. Perhaps it was her new boyfriend, who is supposedly a much older, sophisticated man. Too bad nobody knows who he is. When Esther reveals that the details of the murder closely mirror her work in progress, it opens a whole new avenue of investigation, and when Esther attempts to draw the killer out, it puts her firmly in the crosshairs. Engberg’s background as a former dancer and choreographer gives a boost to her considerable flair for the dramatic (keep an eye out for a theatrically staged murder at the Royal Danish Theater) and highlights a strong focus on Copenhagen’s creative community; even Jeppe wanted to be a musician before he became a cop. His fairly recent divorce almost ruined him, and Anette’s upbeat and pragmatic style is no small annoyance to her moody partner, which is played for light comic effect (as is Jeppe’s reawakening libido), leavening the heavier subject matter. Overly familiar plot elements keep this from being a standout, and some twists require a significant suspension of disbelief, but Engberg’s fast-paced narrative is bolstered by an interesting and quirky cast as well as an intriguing setting.
A bit over-the-top but still a lot of fun.Pub Date: Jan. 14, 2020
ISBN: 978-1-982127-57-2
Page Count: 368
Publisher: Scout Press/Simon & Schuster
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
A comic-book thrill ride with the added appeal of bear shifters falling in love.
Bear shifters battle their attraction and awkward flirtations while trying to stop a criminal focused on terrorizing young shifters.
Annette Garsea is one of the hardest and most dedicated caseworkers at the Interspecies Placement Agency of Minnesota, a foster care system for shifter species. It’s her job to find homes and resources for at-risk shifter youth and children. At times, her work brings her within close proximity of private investigator David Auberon. Both are bear shifters with an obvious connection, but Annette thinks she’s too busy for a relationship, and David can’t seem to say more than five words to Annette before getting tongue-tied. It takes a shifter baby in grave danger to give the two bears the nudge they need to graduate from strictly business to something way more than friends. Davidson’s (Deja New, 2017, etc.) trademark goofiness, over-the-top action scenes, and fierce heroines are all accounted for along with a memorable cast of characters, though her books can be an acquired taste for readers who prefer their shifters growly and full of angst. David is a sweetheart with a long-standing crush on Annette; in his mind, she’s way out of his league. He’s also supportive and completely comfortable letting Annette shine as the fearsome mama bear. The pair are wonderfully matched, whether they’re watching each other’s backs in the midst of danger or being two utter cornballs once they let their feelings show. There's some of the cadence of old Hollywood banter in how they speak and what they say—except they can both shift into huge bears. Despite more serious themes like homelessness, kidnapping, and violence, it’s very much a Marvel movie–type paranormal romance with all the action and none of the detailed, gruesome bloodshed.
A comic-book thrill ride with the added appeal of bear shifters falling in love.Pub Date: March 31, 2020
ISBN: 978-1-4926-9701-5
Page Count: 416
Publisher: Sourcebooks Casablanca
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
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