Han exposes a diabolical world of pain and validates the hidden powers of “powerless” women.
Honey can be a salve or a sweetener but, as Han illustrates so vividly, not all wounds can be healed by the oft-employed Korean folk remedy.
Han explores the dehumanizing practice of sexual enslavement in a narrative that employs realism of both the stark and the magical kind as she follows several generations of Korean women through perilous times. Beginning with the story of twins, Geum-Ja, a girl, and Geum-Jin, a boy, born in a mountainous region of Korea in 1902, Han traces the increasingly malignant effects of Japanese occupation. Thirteen-year-old Geum-Ja, who mysteriously disappears from the family’s compound one night, assumes the form of a tiger and exerts power and protection over her family in that guise. Geum-Jin grows up in her absence and goes on to get married and father three children, but his family is brutalized by Japanese soldiers in a raid on their home in 1931. The only apparent survivor is his daughter Song Young-Ja, whose heartbreaking story forms the core of the saga. A childless couple opens their home to Song Young-Ja but she is molested by the husband and then sent away by the wife. A demeaning job in a teahouse—a hotbed of gossip and espionage—evolves over time. Still, Song Young-Ja’s constrained but relatively safe existence comes to a cruel end in 1941 when she is captured by Japanese soldiers and transported to a camp where women serve as sex slaves. Her experiences are brutally recounted in corrosive detail. Song Young-Ja subversively employs her own supernatural ability to incorporate her emotional state into the foods she prepares but still suffers incalculable harm. Decades pass before the injuries suffered by the enslaved women are publicly acknowledged. It is with the aid of Song Young-Ja’s young granddaughter—who harbors a mysterious ability of her own—that she begins to confront her past. Han has incorporated extensive research into a revelatory work of harrowing fiction.
Han exposes a diabolical world of pain and validates the hidden powers of “powerless” women.Pub Date: April 7, 2026
ISBN: 9781668202166
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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