Absorbing paintings carry this abbreviated story of George Mendoza, a blind runner and artist.
George Mendoza wants to play basketball when he grows up, but then he sees “the whole world painted red” and starts having headaches. A doctor tells him he is going blind, but he continues to see “flashing lights and brilliant colors”; a priest advises him to paint what he sees. Instead, Mendoza begins to run—so fast, writes Powers, that he goes to the Olympics twice, but she does not detail this feat. When his best friend dies, Mendoza finds purpose in painting (with brushes or fingers) his kaleidoscopic perception; these paintings appear throughout the book. His heavy, bold streaks and swirls of color depict key events, focusing his story in ways the short sentences supplemented by Morgan-Sanders’ minimalist line drawings cannot; it’s hard to look away from a swarm of blurry butterflies or a basketball hoop painted like a blazing eye. An author’s note provides greater (and more interesting) biographical detail, explaining how Mendoza went blind and specifying that he trained and placed in the Olympics for the Disabled in 1980 and 1984. It is too bad this information is not worked into the main text, since the author’s note is too complex for the younger audience to whom the main text caters.
Mendoza’s inspiring story is best understood through his eye-catching artwork, supplemented by the author’s note. (Picture book/biography. 6-10)Pub Date: Sept. 1, 2014
ISBN: 978-1-930900-73-8
Page Count: 32
Publisher: Purple House
Review Posted Online: July 29, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 3, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 1999
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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