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YOUTH

SCENES FROM PROVINCIAL LIFE II

A fine portrait of the artist as a young drudge.

Continuing the third-person narrative begun in Boyhood (1997), noted novelist Coetzee (Disgrace, 1999, etc.) pens another morose, yearning, revealing memoir.

The author begins with his late adolescence in South Africa during the 1950s, a time marked for him by confused and confusing sexual initiations, a bookish devotion to the writings of Ezra Pound and other literary modernists, and growing self-awareness. “Wrapped up though he is in his private worries,” Coetzee writes of his earlier self, “he cannot fail to see that the country around him is in turmoil.” When his mathematics tutorial is interrupted by armed policemen putting down a strike, the young man resolves to leave the country for England. Desperate for work, he takes a job as a computer programmer at IBM while devoting his free time to writing a master’s thesis on the novels of Ford Madox Ford. The setting has changed, but his life remains much the same: a sequence of furtive gropings, longings from afar, and gnawing dissatisfactions. “He has come to London to do what is impossible in South Africa: to explore the depths,” Coetzee writes. “Without descending into the depths one cannot be an artist. But what exactly are the depths? He had thought that trudging down icy streets, his heart numb with loneliness, was the depths. But perhaps the real depths are different, and come in unexpected form.” Coetzee labors on, misery piling on misery, until he finally has had enough and leaves his IBM post, much to the astonishment of the careerists and teacart ladies who are his daily companions. Free for only a few weeks of bohemian glory, he finds that in order to escape deportation he must find another job, and so he again takes work as a programmer. There we leave him, grim in the certainty that he will never escape the soul-deadening work of crunching numbers and riding suburban trains.

A fine portrait of the artist as a young drudge.

Pub Date: July 8, 2002

ISBN: 0-670-03102-X

Page Count: 169

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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