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A MONSTER ON THE MOORS

A BOBBY HOLMES THRILLER

A spook fest that wisely centers on strong characters and lurid prose.

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In this YA sequel, a group of friends becomes convinced the creature terrorizing an English countryside is not an escaped beast but an ancient evil.

Londoner Bobby Holmes is looking forward to a vacation with his Scotland Yard inspector mum, Melanie, in northern England. But he’s especially excited that his American cousin, Brenda Watson, and their friends Stevie Nichols and Michael Kelleher will be joining him. It’s been a year since the four shared an adventure in Connecticut, where they confronted a ghost pirate. Bobby learned to accept his gift of clairvoyance back then, but a recent vision (jumbled images of a darkened forest and his pals in trouble) has him worried about the upcoming vacation. Upon Melanie and Bobby’s arrival in the North York Moors, a stranger grabs the boy and whispers a vague warning that he is in danger. Their driver to the Wolf’s Head Inn, James Thwackett, also has “Second Sight” and, like Bobby, senses something amiss. Someone later uncovers a bloody, mutilated body that a local constable wants to attribute to an abused animal turned wild. But Bobby rejects that theory, particularly after receiving additional warnings of peril. He believes there’s an ancient evil roaming the Moors, and stopping it entails first researching the area’s history and talking to townsfolk, with help from his mates and James. Unexpectedly, one of Bobby’s friends disappears, and the ensuing rescue attempt leads to a malevolence far deadlier than the group could have imagined. Kelly (Tommy Ails, Good for What Ails You, 2015, etc.) establishes the story’s malice with a sensational opening: the harrowing pursuit of an unknown woman is presented from the beastly aggressor’s point of view. This frenzied scene amplifies the atmospheric scenes that follow. On the ride to the inn, for example, Bobby spots a pub waiter inexplicably glaring at him. The boy subsequently visits fog-laden Whitby, the town that inspired Bram Stoker’s Dracula. While the much-teased titular monster does make an appearance, it’s suspense that drives the narrative. The mere notion of the creature, for one, solidified by the discovered corpse, is enough to make any visit to the Moors unnerving, even for gun-toting Melanie. The author treats Bobby’s clairvoyance pragmatically; it’s a trait he doesn’t seem to have mastered, as he never fully comprehends his near-future visions. Fortunately, his friends, sans paranormal abilities, are just as memorable. Michael, who has Asperger’s syndrome, points upward when speaking to help him concentrate on what he wants to say. Similarly, imperfections only enhance characters’ personalities: sometimes abrasive Stevie mocks British vernacular (he prefers the term flashlight over torch) while Brenda literally takes candy from a stranger (though the stranger is a cute, flirty boy). Kelly’s savvy writing is filled with stirring descriptions: “The tilted headstones fanned out across the area like crooked teeth” and “The sun dropped like a stone, and with it, the temperature.” The satisfying climax is over a bit too soon, but readers will undoubtedly be invested in this thriller series and ready for whatever Bobby, et al., tackle next.

A spook fest that wisely centers on strong characters and lurid prose.

Pub Date: N/A

ISBN: N/A

Page Count: 247

Publisher: Dog Ear Publisher

Review Posted Online: March 16, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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