Fans of this first installment will be glad of the movie while waiting for the book’s sequel
A young Gelfling girl discovers hidden evils in this prequel to Jim Henson’s 1982 film The Dark Crystal.
Naia, training to become the matriarch of her clan, has never ventured beyond her swamp home. When her brother’s accused of being a traitor to the Skeksis Lords—creatures entrusted with the care of the life-giving crystal that runs through the world—Naia’s mother sends Naia and her father to stand in his stead. But her father and their escort are (conveniently) harmed, and Naia must travel on alone. On her journey, described in rich prose that paints a vivid picture, including the physical differences among the diverse Gelfling races, Naia discovers all is not well—worst of all, the crystal vein has taken on an amethyst hue, spreading corruption. While Naia and Kylan, a storyteller who becomes her travel partner and friend, are both likable and fallible, the Skeksis all seem interchangeable: disappointingly one-dimensional, gluttonous, and unmannerly. The book ends in a sequel setup. The many new words and concepts in this intricate fantasy world can be overwhelming, though much can be gleaned through context. And while the plot and characters are rather basic, the intriguing world and lush, descriptive, often even flowery prose make up for some of what’s lacking. Godbey’s occasional black-and-white illustrations add atmosphere.
Fans of this first installment will be glad of the movie while waiting for the book’s sequel . (Fantasy. 10-14)Pub Date: June 28, 2016
ISBN: 978-0-448-48289-7
Page Count: 272
Publisher: Grosset & Dunlap
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
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Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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