Scary fun that won’t cause nightmares—or will it?
Dark horror by the renowned Norwegian crime novelist.
In the town of Ballantyne, Richard Elauved is a troubled 14-year-old outcast who bullies his classmates. He coerces Tom into a telephone booth (remember those?) and gets him to call Imu Jonasson, an apparently random person whose name he finds in the phone book. But the phone digs into the poor boy’s flesh and eats him up until all traces disappear. Richard goes to the police but cannot persuade them of the horrible truth—for one thing, they can’t find Jonasson’s name in the book—and they demand to know if Richard drowned Tom in the river. In the first third of the tale, all the main characters are teens. Fifteen years pass, and Richard attends a class reunion. Now he is the author of The Night House, the story they’re in and “the teenage horror novel that had changed my life.” He says he came to the reunion to apologize for having bullied everyone, yet all his fellow alums insist he’d been an okay kid, not the nasty bully he’d portrayed in his famous book. So who’s right? Creepy stuff continues, including death by hanging, blood drooling down a car window, transmogrification into a cockroach—you know, standard horror fare. What adds a level of interest is Richard Hansen, who had invented the surname “Elauved” for a curious reason. Perhaps he has a mental illness, given that events belie perception. What is true, and what is the detritus of his fevered brain? Is this a dream within a dream? Some of the evil comes from a surprising source, who advises young Richard, “If you really want to kill them, you have to do it twice. If you don’t, they come back.”But an ill-fated fiend named Jack has the best line: “We’d actually prefer it if you tried to escape. It’s a well-known fact that adrenaline gives meat a bit of extra flavor.”
Scary fun that won’t cause nightmares—or will it?Pub Date: Oct. 3, 2023
ISBN: 9780593537169
Page Count: 256
Publisher: Knopf
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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