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DOUG'S DUNG

From the Once Upon a Garden series

Encouraging and judgement-free.

A budding artist searches for his strength.

Doug the brown dung beetle appreciates nature. The other dung beetles say he needs to be “strong” and have “power.” They take turns lifting a brown dumbbell. When Doug tries, he can’t lift it, and the others tease him. Belinda the butterfly encourages Doug, reassuring him that he’s “strong in another way.” Petals floating on the breeze give Doug an idea. He covers a large ball of dung in an intricate petal mosaic. For another work of dung art, he uses a heap of bright yellow pollen. He continues to make unique art out of the brown spheres, building a little gallery to display his work. At first, he’s still met with jeers, but he stays “determined” to do this thing that makes him happy. Eventually, the whole garden comes to appreciate his art, and the other dung beetles even make a sculpture to celebrate Doug and ask for lessons on creativity. The text avoids any crass poop jokes, not even defining “dung.” Key message words (“determination,” “resilience,” etc.) appear repeatedly in boldface within the modest text, making the moral clear. The minimalist art gets its job done effectively. Predominant visual symmetry from page to page (the characters always face forward) makes for easy sight recognition for young readers. The large-eyed insects composed of simple shapes appear friendly while the earth-toned dung beetles cheerfully complement the brights of the garden—and thus Doug’s art as well.

Encouraging and judgement-free. (Picture book. 3-6)

Pub Date: March 21, 2020

ISBN: 978-1-4338-3237-6

Page Count: 32

Publisher: Magination/American Psychological Association

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE RUNAWAY PIGGY / EL COCHINITO FUGITIVO

The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)

Pub Date: Nov. 30, 2010

ISBN: 978-1-55885-586-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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