Of great interest to students of the Nazi regime and of the inexhaustible human capacity for evil.
A thoughtful reassessment of Albert Speer’s role in the Third Reich.
Hannah Arendt was thinking of Adolf Eichmann when she coined the phrase “the banality of evil,” but those words were tailor-made for Speer, “the successful average man, well-dressed, civil, non-corrupt,” who early on hitched his wagon to Hitler’s star. As German historian Fest (Plotting Hitler’s Death, 1996, etc.) takes pains to point out, Speer distinguished himself from the rest of the Nazi leadership by his very normalcy: the perfect corporate man, he had no apparent perversions, no weird addictions, not even much of a lust for power. It was no accident, however, that Speer became a member of Hitler’s inner circle, and perhaps the Führer’s only real friend. “Each found in the other what he missed in himself,” Fest ventures in a rare moment of psychologizing, “admiring, in a form of transferred self-love, the ideal image of himself.” Some dark ambition may have driven Speer, but he knew what he was doing and labored loyally and intently for the Nazis. He gave the regime much of its look, choreographing the mass rallies of Nuremberg and designing the monumental buildings of Berlin, as well as its highly efficient methods of killing political enemies and carting away their possessions. Yet for reasons that remain obscure, he avoided the gallows, unlike so many of his peers. Fest seems inclined to take Speer at his word when, after 20 years of solitary confinement, he expressed regret for his ill-advised choice of friends; indeed, the author observes, he was the only high-ranking official in the Nazi leadership to have admitted guilt or responsibility for his crimes. Even so, this is no apology, and Fest paints a suitably damning portrait of the man whom John Kenneth Galbraith once described as being “a very intelligent escapist from the truth.”
Of great interest to students of the Nazi regime and of the inexhaustible human capacity for evil.Pub Date: Sept. 1, 2002
ISBN: 0-15-100556-7
Page Count: 432
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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