In a lengthy, fantastical tale for middle grades presented as a picture book, Aiken employs familiar folkloric motifs. Seventh son of a seventh son, Sep longs to be a violinist and gets his wish by following mysterious advice that emanates from the family clock: he throws seven shoes at the moon. But there's a price: the moon, angered by its dirty face, wills him shoeless for seven yeats; worse, his baby sister is born dumb. As the years pass, Sep finds his violin can charm such perils as a mad dog; when a fearsome dragon appears, his playing succeeds in diminishing it into oblivion, and the spell is broken. Aiken's pungent prose serves her odd, derivative tale fairly well, though it lacks both the humor and the eerie sensibility she has achieved so well elsewhere; Lee's illustrations are satisfyingly evocative of the dragon and a rocky coast that might be Cornwall once upon a time (he's especially proficient at portraying a misty distance or the inner surface of a giant wave); but although their content draws the reader in, their composition and hues lack interest. An attractive book that promises more depth than it delivers.
Pub Date: Nov. 1, 1987
ISBN: 0394993802
Page Count: 32
Publisher: Knopf
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: Oct. 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blume's latest novel begins like many of her personalized, single-problem scenarios, with 15-year-old Davey's father shot to death by robbers at his 7-Eleven store in Atlantic City. Davey can't function for weeks, and it is largely for her that her emotionally and financially stranded mother accepts shelter in Los Alamos with kind Aunt Bitsy and her physicist-husband Walter. Once there, Davey's outsider reactions to Bitsy, Walter, and Los Alamos add dimension to her grief and her recovery. True, we experience no culture shock too strong for Blume's smooth readability; there is nothing subtle about the irony of Bomb City's bland security and weapons designer Waiter's overprotective posture; and Waiter's elitist ugliness is overdone in one violent confrontation with Davey. Also, Davey's chaste but warm relationship with a nice young man she meets in the canyon, plus the coincidence of his father's dying at the hospital where Davey volunteers as a candy-striper, are on the cute romantic level. Nevertheless Davey's lonely struggle to come to terms with the killing, her everyday conflicts with her well-meaning but aggravating aunt and uncle, her impatience with her mother, who finally breaks down and then withdraws from the family, her scorn for the "nerd" physicist Mom dates on her way to recovery, her concern for a high-status but alcoholic school friend, and her assessment of the social structure at the Los Alamos high school—all this takes on a poignancy and a visible edge we wouldn't see had Davey (or Blume) remained in New Jersey.
Pub Date: Sept. 1, 1982
ISBN: 0385739893
Page Count: 225
Publisher: Bradbury
Review Posted Online: Oct. 15, 2011
Kirkus Reviews Issue: Sept. 1, 1982
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A touching story of familial love and of respect and gratitude for the bounty of the land.
A magical intergenerational story of gifts and cultural rituals shared between a grandmother and her granddaughter.
A Tlingit grandmother takes her young granddaughter to a nearby island for a berry-picking adventure in the forest. To alert the forest bear and the various types of berries that glow “like little jewels” of their presence, the pair sing a harvest song: “Salmonberry, Cloudberry, Blueberry, Nagoonberry. Huckleberry, Soapberry, Strawberry, Crowberry.” Grandma teaches the girl that “we speak to the land…as the land speaks to us,” and “we sing too, so the land knows we are grateful.” As they gather berries in the misty rain, they listen to the sounds of insect wings, inhale the sweet scent of cedar, and feel the soft moss on tree branches. Back at home, “the kitchen glows like a summer sky” as the girl, her grandmother, her father, and her younger sister make syrup, marmalade, jelly, jam, pie, and scones to share. When winter comes, the forest is described as “dreaming, waiting for berry song.” Seasons change, marking the passage of time and leading to a bittersweet, full-circle ending. This beautifully written story by Caldecott medalist/debut author Goade features breathtaking, atmospheric artwork inspired by the wild landscape of her hometown, Sheet’ká, Alaska, and incorporates rich symbolism and imagery from Tlingit culture. A closing author’s note elucidates sacred Tlingit principles mentioned in the story, and dazzling endpapers identify different berry varieties. (This book was reviewed digitally.)
A touching story of familial love and of respect and gratitude for the bounty of the land. (Picture book. 4-8)Pub Date: June 14, 2022
ISBN: 978-0-316-49417-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 24, 2022
Kirkus Reviews Issue: Feb. 15, 2022
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