A thorough, albeit somewhat premature, biographical portrait.
Digging into the life career of the elusive chief justice.
CNN legal analyst Biskupic, who was the Supreme Court correspondent at the Washington Post and has written biographies on Sonia Sotomayor, Antonin Scalia, and Sandra Day O’Connor, is perfectly positioned to dissect the first decade-plus tenure of Chief Justice John Roberts (b. 1955). Appointed by President George W. Bush in 2005 after the sudden death of William Rehnquist, Roberts, at only age 50, was chosen for his conservative bona fides, his Ivy League education, the many cases he had argued before the Supreme Court, and his resistant views on affirmative action and voting rights, among other expressed opinions. Indeed, in his general approach to law, Roberts has proven that he is, as Justice Ruth Bader Ginsburg declared, “born conservative.” Yet he has also made some intriguing decisions—e.g., finding the core of the Affordable Care Act, aka Obamacare—the provision upholding the individual insurance mandate—constitutional in the watershed case National Federation of Independent Business v. Sebelius (2012). While his 2013 Selby County v. Holder decision “eviscerating a key section of the Voting Rights Act” addressed what he perceived as the “failure of racial remedies in America”—as Biskupic writes, it “marked the first time since the 19th century that the Supreme Court struck down a civil rights law protecting people based on race”—he seems, on the basis of other rulings, concerned that his court is delineated solely along political lines. After Scalia’s death in February 2016, the court was left without a successor for more than 400 days thanks to political maneuvering and the Republican blocking of President Barack Obama’s nominee, Merrick Garland—a difficult period for the court. As the author demonstrates in her incisive analysis, the 5-4 “conservative-liberal fault line” has prevailed—e.g., in the upholding of Donald Trump’s Muslim ban.
A thorough, albeit somewhat premature, biographical portrait.Pub Date: March 26, 2019
ISBN: 978-0-465-09327-4
Page Count: 432
Publisher: Basic Books
Review Posted Online: Jan. 13, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Puccini wins the prize for most-maligned great composer. In a fit of depressive self-deprecation, Puccini himself called his own music ``sugary,'' and the persistent popularity of his mature operas at box-offices around the world for nearly a century has too often provoked critical condescension, as if art so well-loved could not possibly be worth much. But that situation, thankfully, is changing, and this much-needed essay collection on Puccini by leading scholars of 19th- and 20th-century Italian opera is worth a good deal more than several new biographies. The volume ranges from a lengthy piece on Puccini's family by his granddaughter (one of the editors) to chapters devoted to Puccini's ``musical world'' and each of his operas by luminaries such as William Weaver, Harvey Sachs, Fedele D'Amico, Verdi heavyweights Mary Jane Phillips-Matz and Julian Budden, and William Ashbrook. A favorite: David Hamilton's expert investigation of the early Tosca recordings, especially the legendary ``Mapelson cylinders'' of live Metropolitan Opera performances from 1902-03, to see what light they shed on Puccini's original interpreters. The editors, perhaps hoping to attract non-musicologist admirers of the Luccan master, issue the disclaimer that ``this is not a work of scholarship'' (even though two of the chapters make a start on an accessible Puccini bibliography). They needn't have worried. Lovers of Puccini and Italian opera at every level of interest and knowledge will want this book. (Photographs—not seen)
Pub Date: Feb. 28, 1994
ISBN: 0-393-02930-1
Page Count: 352
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
One of the great pitchers in baseball history (and one of the most outspoken and disagreeable), Gibson recalls his storied career with the capable help of Wheeler (I Had a Hammer, not reviewed) and shows he's not done being ``difficult.'' A ferocious competitor who made his living pitching high and tight, Gibson had a reputation throughout his 17 years with the St. Louis Cardinals for being just as uncompromising and angry off the field, especially concerning racial matters. Gibson was raised in an Omaha, Nebr., housing project, where his older brother was hero, mentor, and coach. After college, Gibson, who claims that he was better at basketball than baseball, signed a contract with both the Cardinals and the Harlem Globetrotters, playing one year for the latter. He calls his first professional baseball manager, Johnny Keane, ``the closest thing to a saint that I came across in baseball.'' When Keane replaced Solly Hemus (whom Gibson despised) in 1961, it turned the Cardinals', and Gibson's, fortunes around. Known for his extraordinary performances in the postseason, Gibson had a World Series record of 7-2, with a 1.89 ERA and an incredible 92 strikeouts over 81 innings. He won 20 games in five different seasons and in 1968 posted a 1.12 ERA in 305 innings. Gibson offers some fun and insightful recollections of big games, friends, and teammates such as Tim McCarver, Joe Torre, and Bob Uecker, and legendary matchups with Juan Marichal (``the best pitcher of my generation''), Sandy Koufax, and Don Drysdale. Despite his Hall of Fame credentials, Gibson claims he's been ostracized from the game and hasn't held a baseball job since 1984. Though he grouses a lot about being slighted by major league baseball and rehashes all-too-familiar racial difficulties, it is refreshing to get the fiery Gibson's take on the grand old game. (8 pages b&w photos, not seen) (First printing of 75,000; $75,000 ad/promo; author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-670-84794-1
Page Count: 320
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
BOOK REVIEW
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