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A CHAMELEON FROM THE LAND OF THE QUAGGA

AN IMMIGRANT'S STORY

Tender, romantic recollections interlaced with a biting appraisal of apartheid.

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In Bismillah’s debut memoir, she discusses growing up in South Africa under apartheid, encountering prejudice toward mixed-race relationships, and escaping oppression through immigration.

“This multi-hued society” of South Africa “should have adopted the quagga, that extinct beast with its varicoloured body, as an emblem for the country,” writes the author. In this book, Bismillah looks back on a life affected by racial segregation, and her remembrance has a sense of urgency: “Alzheimer’s, lurking in a recess of my brain, threatened to distort my recollections to a deconstructed, Picasso-like abstraction,” she discloses. She was born in Johannesburg in 1928 to an Italian father and a mother of “Scottish and Anglo-Indian descent.” Her family was considered privileged, but her formative years were by no means sheltered; she was raised by a tyrannical grandmother with Victorian values, her mother died during her childhood, her father was severely wounded during World War II, and her brother was killed in a car accident. Her life changed again in nursing school, where she met Abdul Haq “Bis” Bismillah, an Indian medical student and the man she would later marry. Their relationship faced ugly prejudice in South Africa, and they escaped to raise a family, first in London, England, then in Fergus, Ontario. Bismillah’s prose is characterized by elegant, vivid flourishes; for example, she discusses how “pictures of places and people, both living and dead, tumbled like acrobats across the screen of my mind.” Of a date in Johannesburg with Bis, she writes, “I recall the susurrus breeze that rustled through the branches…and the chirping cicada’s nocturnal song to the accompaniment of Debussy’s hauntingly beautiful and melodic ‘Clair de Lune’ over on the radio.” Along with evocative imagery, the memoir presents an enduring message about racial awareness. At one point, the author recounts how Bis described South Africa’s train carriages: “second-class…reserved for Indians…and third class with its un-upholstered and bare wooden seats for black people.” As a European always traveling first class, she says, she’d never encountered such discrimination before. Overall, this is a historically rich chronicle of 20th-century South Africa by an inspirational woman.

Tender, romantic recollections interlaced with a biting appraisal of apartheid.

Pub Date: April 1, 2019

ISBN: 978-1-5255-3176-7

Page Count: 396

Publisher: FriesenPress

Review Posted Online: May 30, 2019

Kirkus Reviews Issue: July 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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