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SAINTS AND SCHEMERS

OPUS DEI AND ITS PARADOXES

A dry study of the origins and evolution of a fiercely controversial organization in the Roman Catholic Church. Opus Dei (work of God), officially founded in Madrid in 1928 by Monsignor Escriv† de Balaguer, is a unique body of priests and laypeople (more than 75,000 worldwide) who see work as the means to holiness, both because it is a sharing in God's creative action in the world and because it is a concrete way of making Christ present in society. For Opus Dei members, asceticism involves striving to be highly successful as professionals, something that has not often been characteristic of Catholic lay spirituality, and this has brought many charges of elitism and power-seeking, not least from other Catholics. Because of its policy of ``discretion'' and the discipline imposed on its members, Opus Dei has been accused of beig a secret society within the Church, even a ``holy Mafia.'' Pope John Paul II recently declared Escriv† (who died in 1975) ``blessed,'' and he acceded to the founder's desire that the organization be given a large measure of autonomy as a personal prelature. Estruch (Sociology/Universitat Autonoma de Barcelona) takes readers through a labyrinth of documents, chiefly from the official literature of Opus Dei. He shows that the complex character of Escriv† and the organization was very much a product- -though a most unusual one—of Franco's Spain, and that Opus Dei has, in fact, adjusted its thinking more than many members like to admit in order to keep pace with changes in both Spain and the Catholic Church. In a final section, the author draws on Max Weber's thought to make a stimulating comparison between Opus Dei's ``sanctification of work'' and the worldly asceticism of Puritanism. Confined to documentation and constantly referring to methodology, this study makes for heavy reading. Meticulous, but perhaps excessively unsensational.

Pub Date: July 1, 1995

ISBN: 0-19-508251-6

Page Count: 352

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1995

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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