Well-crafted and relentless. Women readers of a certain age and lifestyle will identify.
A melancholy fragrance reminiscent of Edna O’Brien lingers over these 13 stories, depicting women in their 40s as they look back at their younger, 1960s-era selves with exhausted nostalgia.
Most of Frank’s narrators are solitary, in childless relationships, or solitary within their relationships. Telling someone else’s story, they frequently reveal their own fears and midlife angst. In the brittle, angry “Exhibit A,” a woman recalls her romantic obsession with a married man who for years resisted their mutual attraction. Watching as he falls for someone else and his marriage collapses, she finally recognizes what a creep he’s been all along. Ensconced in a comfortable relationship of her own, the narrator of “The Queen of Worldly Graces” tells of an acquaintance who leaves his ever-patient, slightly shaggy live-in girlfriend for a more glamorous Parisian. Identifying with the shunned mate, the narrator feels threatened until she acknowledges that neither she nor her lover are brave enough to forego the safety of fidelity. Of the three stories told from a male viewpoint, two are little more than hostile exercises (particularly the self-evidently titled “The Extraordinary Member of Carlos Artiga”), but the third, “The Guardian,” is a small masterpiece. Middle-aged Boyd learns that the legal secretary who showed him genuine kindness during his lonely childhood was his father’s mistress during the marriages to both Boyd’s mother and stepmother. Using a less hard-edged tone here, Frank reaches a new depth as she explores secrets and the inability of anyone to fully capture another’s experience. Another standout is the painfully lovely “The Sounds That Arrive in the Present.” Worn-down by stress and overwork, Belle receives physical therapy from a slightly younger woman whose tale of fearlessness that caused a fatal accident reminds Belle of her own youthful zest while preparing her to live more fully in her middle-aged present.
Well-crafted and relentless. Women readers of a certain age and lifestyle will identify.Pub Date: Nov. 1, 2001
ISBN: 0-8262-1355-3
Page Count: 184
Publisher: Univ. of Missouri
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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