Every writers’ group should start with this story. (Picture book. 7 & up)
Exploding with puns, wordplay and the irrepressible desire to re-imagine “Little Red Riding Hood” one more time, Holub and Sweet bring forth some actual useful writing advice—that’s not just for beginners.
It’s Write On! Day at the Pencilvania School, and all the little pencils and their teacher, Ms. 2, are about to follow the story path. Ms. 2 gives our heroine, Little Red, a basket of nouns and reminds her to stick to the path. She becomes entangled in descriptive adjectives, stuck in a sentence that just keeps going, and is rescued and then ambushed by adverbs and random nouns. Principal Granny seems to have a long electric tail and a growly voice when Little Red gets to her office. It’s not the principal but the Wolf 3000—a voracious pencil sharpener! But Little Red has one noun left, and she uses it judiciously. Watercolor, pencil and collage give the magnificent Sweet lots of material to play with: The little pencil-pupils each have an identifying eraser cap (a stegosaurus, a basketball, a map of Pencilvania). When Little Red looks for excitement in her story, she goes to the gym and is “quickly drawn into the action,” as all the pencils twist, jump and play catch on the page. The artwork—which integrates written text in a variety of lettering styles—fills the pages with a riot of color, shape, movement and design. Endpapers and title pages are all part of the tale. Little kids should love the illustrations and their multiplicity of meanings, and older children trying out their writing wings will find good, strong advice.
Every writers’ group should start with this story. (Picture book. 7 & up)Pub Date: Sept. 24, 2013
ISBN: 978-0-8118-7869-2
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: July 30, 2013
Kirkus Reviews Issue: Aug. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
An uncomplicated opener, with some funny bits and a clear but not heavy agenda.
Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.
Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.
An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)Pub Date: Feb. 14, 2014
ISBN: 978-0-448-48239-2
Page Count: 128
Publisher: Grosset & Dunlap
Review Posted Online: Dec. 10, 2013
Kirkus Reviews Issue: Jan. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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