GHOST TOWN

SEVEN GHOSTLY STORIES

A well conceived (and titled) collection of middle-of-the-road, mildly chilling short stories, almost all of which involve a modern day boy or girl’s encounter with a supernatural entity in an old ghost town. In “Buried,” an adolescent girl traveling with her parents is able to help a little-girl ghost psychologically so that she can rest in peace. Two runaway boys encounter several ghosts in “The Intruders,” whose scary presence teaches them that they are too young to be on their own. “Payback,” which reads like a contemporary fairy tale, tells the story of a boy’s reward for coming to the defense of a downtrodden ghost dog. The most engaging story in the book is “Trade-Off,” in which a ghost protagonist gets the opportunity to switch places with a live boy and join a real human family. The majority of the stories are gently instructive in that they teach an ethical lesson or have some kind of moral dimension. Additionally, the format gives Nixon the opportunity to painlessly slip in a little historical data about the various ghost towns. Each story is followed by a succinct history of the ghost town it is set in, directions for getting there and other information for children who want to explore the topic more deeply, including books and selected Web sites. Although the bulk of the stories are conventional and competent rather than weirdly thrilling, Nixon has put together a clever package for youngsters interested in ghosts and ghost towns. (Short stories. 8-12)

Pub Date: Sept. 1, 2000

ISBN: 0-385-32681-5

Page Count: 146

Publisher: Delacorte

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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THE QUILTMAKER'S GIFT

A sentimental tale overwhelmed by busy illustrations and rampant pedantry. A gifted quiltmaker who makes outstanding quilts never sells her wares, but gives them away to the poor. A greedy king so loves presents that he has two birthdays a year, and commands everyone in the kingdom to give him gifts. Everyone brings presents till the castle overflows; the king, still unhappy, locates the quiltmaker and directs her to make him a quilt. When she refuses he tries to feed her to a hungry bear, then to leave her on a tiny island, but each time the quiltmaker’s kindness results in her rescue. At last, the king agrees to a bargain; he will give away his many things, and the quiltmaker will sew him a quilt. He is soon poor, but happier than he’s ever been, and she fulfills her end of the bargain; they remain partners forever after, with her sewing the quilts and him giving them away. The illustrations are elaborate, filled with clues to quilt names. A note points to the 250 different quilt names hidden in the picture on the inside of the book jacket. (Picture book. 6-10)

Pub Date: Oct. 1, 1999

ISBN: 1-57025-199-1

Page Count: 32

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1999

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LAUGH-ETERIA

Florian’s seventh collection of verse is also his most uneven; though the flair for clever rhyme that consistently lights up his other books, beginning with Monster Motel (1993), occasionally shows itself—“Hello, my name is Dracula/My clothing is all blackula./I drive a Cadillacula./I am a maniacula”—too many of the entries are routine limericks, putdowns, character portraits, rhymed lists that fall flat on the ear, or quick quips: “It’s hard to be anonymous/When you’re a hippopotamus.” Florian’s language and simple, thick-lined cartoons illustrations are equally ingenuous, and he sticks to tried-and-true subjects, from dinosaurs to school lunch, but the well of inspiration seems dry; revisit his hilarious Bing Bang Boing (1994) instead. (index) (Poetry. 8-10)

Pub Date: April 1, 1999

ISBN: 0-15-202084-5

Page Count: 158

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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