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LEGACIES

PROMETHEUS, ORPHEUS, SOCRATES

A rambling and, ultimately, rather pointless retelling of ancient heroic tales, by a psychologist and author (Wisdom and the Senses, 1988, etc.) who tries without much success to connect the narratives to the daily realities of modern life. ``Myths are the prehistory of mankind,'' according to Erikson, who here traces our moral and psychic ancestry back to the sagas of the Greeks. She is particularly concerned with the origins of the creative impulse, and so it's not surprising that she dwells upon precisely those figures who represent the birth and triumph of human genius—or, more specifically, of the human soul. Prometheus, the demigod, awaken's humanity's dormant creativity with the fire he sends down from heaven; Orpheus, by ``singing his sadness,'' helps us to ``accept the fact that we are not isolated and unique but share daily shame and loss and can do so more resolutely if we face it together''; and Socrates gives his very life in an attempt ``to unveil the infallibility of truth—the beauty and strength of authenticity which can be found in the invariable core of the human being.'' Erikson's observations are often striking and fresh, but she ties them so closely to the texts at hand that her work becomes little more than a random and discursive commentary. Had she expanded her reflections more generously, Erikson might have given us a meditation whose scope was large enough for both the myths she describes and the world they address; as it is, her examination of the ancients comes in morsels too small to sustain much thought. Precious notions too slight and casual to carry us along.

Pub Date: Feb. 22, 1993

ISBN: 0-393-03443-7

Page Count: 160

Publisher: Norton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 15, 1992

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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