An incomplete introduction to a trailblazing athlete.
Dedicated in part to “every woman who refuses to yield,” this Portuguese import (via Germany) depicts the childhood and rise to fame of pioneering cyclist Alfonsina Strada.
Front endpapers introduce the town in which Alfonsina lives in what appears to be the late-19th or early-20th century (no dates are provided, but wagons make an appearance), with peasants and a general with an “imperial mustache.” Cycling posters are in Italian, placing the story in Europe. Alfonsina’s father trades a basket of chickens for a large bike. It’s too big for his daughter, and children in town taunt her (one even mooning her) and call her “tomboy” for riding it. She dons men’s clothing and eventually masters the bike, winning her first race at 13. “Faster than the wind” and in appropriate riding gear as an adult, she races in cities across Europe, earning the name “the Pedal Queen.” The posterlike illustrations have an almost constructivist look in spots and feature a limited palette of only five colors, including a nearly fluorescent yellow. Townspeople in the distance, primarily depicted in the book’s copper shade, are often depicted with no facial features, the focus being on the small girl on the oversized bike, learning to master it but often wreaking havoc in crowds. The absence of any backmatter leaves readers wondering precisely how Strada was so groundbreaking and will have curious children seeking additional information about the Italian cyclist elsewhere.
An incomplete introduction to a trailblazing athlete. (Informational picture book. 5-10)Pub Date: Aug. 18, 2020
ISBN: 978-3-89955-853-1
Page Count: 48
Publisher: Little Gestalten
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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