A thoughtful tale of loyalty and friendship, family dynamics and human nature, and the cancer of buried truths.
In a small-town cul-de-sac in rural England, preteen Grace and her friend Tilly set out to find God. What they unknowingly uncover is an ugly neighborhood secret.
Cannon’s debut novel opens with the disappearance of the avenue’s friendliest resident, Mrs. Creasey. Puzzled and worried, Grace approaches the church vicar, who responds with cliché—God knows everyone’s whereabouts. As Grace and Tilly search, Cannon’s story is driven by the two girls intruding into an adult world, sometimes tentatively, sometimes brazenly. The novel is primarily set in the scorching summer of 1976, with flashbacks to events in 1967. The two threads merge to create an ominous, near-threatening aura, an oblique narrative haunted by things unsaid and shadowed references. Precocious Grace and fragile Tilly are well-nuanced protagonists, with a majority of chapters told from Grace’s point of view. Cannon gives Grace a perceptive, insightful personality, as when she walks through a cemetery feeling "all the bones that were buried there had made wisdom grow in the soil" or when she and Tilly approach a schoolyard "where we dissolved into a spill of other children." Although dominated by Grace, Tilly is strong enough to be kinder and more empathetic. Adults scurry through the story, with blowsy Sheila Dakin forever sunning herself on her front lawn or the young widower Eric Lamb constantly nipping at a perfect garden or Walter Bishop resting uneasily at the heart of the secret. Ripe with symbolism and metaphor—hypocrisy and rationalization reign when Tilly discovers Drainpipe Jesus, an apparition—Cannon’s sometimes-amorphous novel is a subjective sociological study with the air of a cozy mystery.
A thoughtful tale of loyalty and friendship, family dynamics and human nature, and the cancer of buried truths.Pub Date: July 12, 2016
ISBN: 978-1-5011-2189-0
Page Count: 352
Publisher: Scribner
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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