by Joanna Gray ; illustrated by Dubravka Kolanovic ‧ RELEASE DATE: March 4, 2014
Even the youngest children don’t deserve this degree of dumbing down.
Little Raindrop journeys from cloud to sea and back again.
This is the water cycle, but it’s a simplistic telling that lacks any scientific vocabulary and stars an anthropomorphized water droplet with a face, hands and feet. Little Raindrop’s adventure begins as he falls from a cloud “[o]ne dark and stormy day,” but by the page turn, there’s enough sunlight to have made a rainbow, which Little Raindrop falls through, enjoying the colors along the way. Landing in a depression on a rock, his journey continues when other drops (nonanthropomorphized) accumulate enough to make his puddle overflow. Joining a stream, he sees all kinds of animals and chases the sticks the children toss in the water. When his stream joins a river, Little Raindrop avoids the sharp rocks of the waterfalls; in the sea, he meets dolphins. Coming to rest on the sand, “Little Raindrop got hotter and hotter, until the warmth of the sun drew him up into the air,” still in the shape of a raindrop, where he joins other smiling droplets in a gray cloud. Kolanovic’s illustrations have the gritty look of crayon drawings. Little Raindrop’s surroundings match his small size; while the background details are simple, the animals he encounters all sweet—cloyingly so. Fortunately the wellspring of intellectually respectful titles on the water cycle is far from dry.
Even the youngest children don’t deserve this degree of dumbing down. (Informational picture book. 4-6)Pub Date: March 4, 2014
ISBN: 978-1-62873-821-6
Page Count: 28
Publisher: Sky Pony Press
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Peter H. Reynolds & illustrated by Peter H. Reynolds ‧ RELEASE DATE: Aug. 28, 2012
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a...
Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).
Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-2345-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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by Floyd Cooper ; illustrated by Floyd Cooper ‧ RELEASE DATE: June 13, 2013
A quiet, warm look at the bond between grandfather and grandson.
After a visit, an African-American grandfather and grandson say farewell under a big yellow moon. Granpa tells Max it is the same moon he will see when he gets home.
This gently told story uses Max’s fascination with the moon’s ability to “tag along” where his family’s car goes as a metaphor for his grandfather’s constant love. Separating the two relatives is “a swervy-curvy road” that travels up and down hills, over a bridge, “past a field of sleeping cows,” around a small town and through a tunnel. No matter where Max travels, the moon is always there, waiting around a curve or peeking through the trees. But then “[d]ark clouds tumbled across the night sky.” No stars, no nightingales and no moon are to be found. Max frets: “Granpa said it would always shine for me.” Disappointed, Max climbs into bed, missing both the moon and his granpa. In a dramatic double-page spread, readers see Max’s excitement as “[s]lowly, very slowly, Max’s bedroom began to fill with a soft yellow glow.” Cooper uses his signature style to illustrate both the landscape—sometimes viewed from the car windows or reflected in the vehicle’s mirror—and the expressive faces of his characters. Coupled with the story’s lyrical text, this is a lovely mood piece.
A quiet, warm look at the bond between grandfather and grandson. (Picture book. 4-6)Pub Date: June 13, 2013
ISBN: 978-0-399-23342-5
Page Count: 32
Publisher: Philomel
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
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by Louisa Jaggar & Shari Becker ; illustrated by Floyd Cooper
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