A grieving teen fights Asian hate by finding her voice in this complex, timely story.
A Chinese American teenager learns that silence can bind families together but also prevent them from standing up for larger causes.
Maybelline Chen is mourning the death of Danny, her beloved older brother who struggled with depression and died by suicide right after being accepted to Princeton. Her family’s deep pain is compounded when local Silicon Valley magnate Nate McIntyre publicly blames Asian families for the hypercompetitive school environment, attributing Danny’s suicide to what he claims are widespread Asian parental pressures. Infuriated and hurt, May writes an impassioned poem for the local paper in response, sparking a heated discussion about racism. But when her mother’s job working for Mr. McIntyre’s friend is imperiled by her activities, May must make a choice between speaking out and honoring her parents’ fear of making waves. With the help of her best friend, a daughter of Haitian immigrants, May rallies her classmates to reclaim the narrative while embarking upon a journey of recognizing her own complicity and complacency about racism. She acknowledges Asian discrimination against Black people, faces prejudice from other Asians, and comes to understand the harm of Asian silence and the model minority myth. The array of issues in this story is sensitively and beautifully handled, and May is an appealing character who moves through a complicated range of realistic emotions, including anger, fear, guilt, and jealousy.
A grieving teen fights Asian hate by finding her voice in this complex, timely story. (Fiction. 14-18)Pub Date: June 14, 2022
ISBN: 978-0-06-305934-4
Page Count: 448
Publisher: HarperTeen
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A promising premise subverted by the execution.
A restless AcroYoga influencer pursues love and money on reality TV.
Twenty-three-year-old Orielle Lennox’s post-college life has stalled out. Unhappy in a lackluster relationship and fueled by her older sister’s criticisms that she’s passive and codependent, Orie tries to jump-start her future by answering a casting call for the reality TV show Survivor. Discovering her father’s gambling problem and being dumped by her boyfriend shortly before leaving for Fiji to film make Orie all the more eager to dive headlong into the competition as an escape from her problems. Upon arrival, Orie (who’s cued white) and the nine other contestants—a racially diverse group of young, fit older teens and 20-somethings—find out that they’re actually on a new reality spinoff called Attached at the Hip. Furthermore, each participant has been carefully selected as a possible love or friendship match for several other competitors. Orie quickly allies with Remy, an Italian American gym bro who also happens to be her unrequited high school crush. But as the days of sun and starvation wear on and new connections form, Orie starts to question Remy’s motives and wonders who, if anyone, she can trust. Unfortunately, Orie comes across as frustratingly impulsive and immature rather than quirky and lovably offbeat. And, although moments of situational hilarity keep the story light, readers may get bogged down in the inane dialogue and the abundance of pop-culture references.
A promising premise subverted by the execution. (Fiction. 15-18)Pub Date: May 21, 2024
ISBN: 9781250760098
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
This tale moves beyond the boom-bang, boring theology of so many fantasies—and, in the process, creates, almost griotlike, a...
Taj, the black teenage narrator of Onyebuchi’s debut, is an aki, or sin-eater—meaning that he literally consumes the exorcised transgressions of others, usually in the forms of inky-colored animal-shaped phantasms called inisisas that reappear as black tattoos on the akis’ “red skin, brown skin.”
This really isn’t his most remarkable trait, however, even as he ingests greater and greater sins of the Kaya, the brown-skinned royal family ruling the land of Kos. What makes Taj extraordinary is the tensions he holds: his blasé awareness of his exalted status as the best aki, even as the townspeople both shun yet exploit him and his chosen family of sin-eaters; his adolescent swagger coupled with the big-brotherly protectiveness he has for the crew of akis and, as the story proceeds, his increasing responsibility to train them; his natural skepticism of the theology that guides Kos even as he performs the very act that allows the theology—and Kos itself—to exist. He must navigate these in the midst of a political plot, a burgeoning star-crossed love, and forgiveness for the sins he does not commit. “Epic” is an overused term to describe how magnificent someone or something is. Author Onyebuchi’s novel creates his in the good old-fashioned way: the slow, loving construction of the mundane and the miraculous, building a world that is both completely new and instantly recognizable.
This tale moves beyond the boom-bang, boring theology of so many fantasies—and, in the process, creates, almost griotlike, a paean to an emerging black legend . (Fantasy. 14-adult)Pub Date: Oct. 31, 2017
ISBN: 978-0-448-49390-9
Page Count: 304
Publisher: Razorbill/Penguin
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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