For lovers of history mysteries: a less robust Da Vinci Code, less complex The Swan Thieves.
Trying to save an endangered friend, a young American historian rushes around Europe trying to uncover a link between the court of Catherine de’ Medici and a priceless emerald from the New World.
Isabel Henley leaps at the chance to continue her historical studies by joining the graduate program at St. Stephens in Scotland, far away from her estranged family and her married professor/lover in Boston. She’s also eager to study with Madeleine Grangier, “French feminist extraordinaire,” and reconnect with Rose Brewster, the “beautiful wunderkind” who set the bar for Isabel in college in both scholarship and social success. But when she arrives, she learns that Madeleine has just died in a fall, and while it’s been written off as an accident, there are some who find her death suspicious. Isabel throws herself into the challenges of research—her topic is the women of Catherine de’ Medici’s court—and breaking into the department’s social hierarchy. Rose welcomes her with open arms, and she finds herself drawn romantically to another professor. Then Rose goes missing, and a suicide note is discovered. Weeks later, Isabel finds a hidden recording from Rose that reports she is being held against her will and urges Isabel to take over her research into a little-known Renaissance-era Italian family that may have been the owners of a priceless emerald, current whereabouts unknown. This research takes Isabel to Genoa, Florence, and Paris, always with the sense that Rose’s captors are breathing down her neck as she works desperately to uncover the mystery of the Falcone family and the emerald, unsure of whom to trust. There’s an academic bent to the mystery; this one will appeal to lovers of Dan Brown and Elizabeth Kostova and other mysteries of old documents and historical figures.
For lovers of history mysteries: a less robust Da Vinci Code, less complex The Swan Thieves.Pub Date: Oct. 18, 2022
ISBN: 978-1-61316-344-3
Page Count: 312
Publisher: Scarlet
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
High art meets low life in a tale a lot more sympathetic to the latter.
Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.
In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.
High art meets low life in a tale a lot more sympathetic to the latter.Pub Date: Sept. 2, 2025
ISBN: 9781250370822
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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