A strong finish to a strong-willed Gilded Age series.
A jilted duke finally finds the heiress he needs but not where he expects.
Anyone would feel bad for the Duke of Lockwood. Most broke English aristocrats who sail into New York, looking for an heiress who will trade her fortune to be made a duchess, end up with their pick of eligible debutantes. But by now Lockwood has been connected to and then dumped by not one, not two, but three women. (They all ended up engaged to their love matches instead, but still.) At this point, he can’t help wondering if it's a coincidence that they're all close friends with Miss Nellie Young and if she’s the cause of his misfortune, since they had an amorous midnight encounter by the ocean just before his third engagement fell through. The daughter of a railroad tycoon, her fortune could make her a potential match, but her reputation is checkered, to say the least. Not that she minds—Nellie prefers to be single, free to take lovers when she pleases and to spend her time getting around the Comstock laws to share information about family planning and contraception with other women. As Lockwood begins one last attempt to find a duchess to take home before it's too late to save his family's dukedom, somehow he keeps finding his way back to Nellie instead. Their shared appetite for risky intimacy isn’t sated by repeated encounters, and Lockwood realizes that regardless of Nellie's reputation, she's the future duchess he needs—but Nellie isn’t willing to give up her freedom. This is a satisfying conclusion to Shupe’s Fifth Avenue Rebels series, especially as no reader could fail to feel sympathy for Lockwood by now. The chemistry between Lockwood and Nellie is sizzling; Shupe has outdone herself again in bringing to life the rough-and-ready attraction between her two main characters. The book is also notable for showing a different side of Manhattan, as Nellie’s mother was an Irish maid and her family in Hell’s Kitchen is central to the story. Historically accurate details, especially surrounding the battle for information about birth control in the 1890s, round out this resonant tale.
A strong finish to a strong-willed Gilded Age series.Pub Date: Jan. 24, 2023
ISBN: 978-0-06-304507-1
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
PERSPECTIVES
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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