Happy endings of the most defensible kind, helped along by an unlikely good fairy—Miss Beatrice Bachelor, a ``real original and very brave''—abound in Trollope's latest take on love and life in contemporary Britain (A Village Affair, 1989, etc.). Set mostly in that part of Oxford familiar to PBS fans of Inspector Morse, the story, like an updated Shakespearean comedy, begins with two couples that drift into dangerous areas come close to parting, but, thanks to the good offices of Miss Bachelor, are reunited at the end. James Mallow, in his early 60s, a journalist and teacher, lives happily with much younger Kate and her 14-year- old daughter, Joss, along with ancient and irascible Uncle Leonard. James's old friend Hugh, a TV personality married to much younger Julia, and father of young twin sons, lives nearby. An accident introduces James to Miss Bachelor, who lives in one room, along with Cat, a character in his own right. Meanwhile, Kate, feeling increasingly overwhelmed by her responsibilities—she also volunteers at a home for battered women—decides to move out, but Joss, a typical adolescent, stays on. It's the only home she knows, and she, as well as Uncle Leonard, has by now met Miss Bachelor and is also taken with her good sense and originality. Though Hugh's show on euthanasia—Uncle Leonard and Miss Bachelor, who helped her ailing brother die, contribute their forthright opinions—is a hit, Hugh's contract is not renewed. Which means that when Julia behaves absolutely marvelously to him, Hugh can't stand it and moves in with James. Kate, badly beaten by a lover, finally meets Miss Bachelor, who gives her the advice she needs. Hugh, missing the twins, heads home; subplots are deftly resolved; and all's well that ends well. One of those rare novels that can claim the high middle-ground where wisdom, wit, and literate characters meet to tell an entertaining—and all-around fulfilling—story.
Pub Date: Sept. 1, 1993
ISBN: 0-679-42587-X
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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