A slow buildup to a breathtaking finish.
Eight years after the events in Harris’ best-selling Chocolat (1999, etc.), her heroine is summoned back to the French village she once revitalized with confections.
Vianne Rocher is living in Paris on a houseboat with her husband, Roux, and daughters, Anouk and Rosette, when a posthumous letter arrives from Armande, the crusty old lady who had been her ally in upsetting the straight-laced mores of Lansquenet. This tiny hamlet once more needs Vianne’s intervention, Armande writes, without specifying exactly what is amiss. When Vianne arrives, she is surprised to learn the person most in need of rescue is her erstwhile antagonist, the tightly wound, chocolate-hating Monsieur le Curé Francis Reynaud. As parish pastor, Reynaud has been supplanted by a young, smug priest who wants to turn Mass into a PowerPoint presentation and replace the church’s old oaken pews with plastic chairs. The Bishop has not been pleased since rumors started circulating that Reynaud set fire to a school for Muslim girls housed in Vianne’s former candy shop. Reynaud is suspect because he clashed with the Imam of Les Marauds, Lansquenet’s Muslim neighborhood, over the installation of a minaret complete with call to prayer. The school’s founder, Inès Bencharki, whose brother, Karim, is the Imam’s son-in-law, has, along with her charismatic sibling, introduced Muslim fundamentalism into previously free-wheeling Les Marauds, requiring her pupils to veil themselves. Vianne is drawn into the fray when she takes in Alyssa, the Imam’s granddaughter, whom Reynaud saved from drowning herself. As they forge a gingerly alliance, Reynaud and Vianne suspect that Inès and Karim are hiding something, and those secrets, when revealed, are shocking. While Harris’ loving attention to the details of cuisine, French and Moroccan, and the daily lives of the eccentric village characters conveys a certain charm, the indolent pace of the novel doesn’t accelerate until the puzzle explodes with incandescent intensity near the end. The patient reader, however, will be amply rewarded.
A slow buildup to a breathtaking finish.Pub Date: Oct. 2, 2012
ISBN: 978-0-670-02636-4
Page Count: 464
Publisher: Viking
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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