A thoughtful oceanic novel with a touch of fantasy.
Rode’s debut middle-grade novel tells the story of a dolphin aficionado who discovers a mermaid.
Thirteen-year-old Greydon Hubbard’s mother is in desperate need of a new lung, and the situation is causing a great deal of stress for his evolutionary biologist father and his uncle, a medical doctor. Greydon distracts himself by volunteering in the dolphin area of the Marine World zoological park. Recently, while surfing, Greydon saw a pair of dolphins in the ocean—but they weren’t alone: “A girl’s face briefly appeared between the two dolphins, a luminous face with piercing blue-topaz eyes.” Greydon’s older brother, Jake, didn’t see the girl, but Greydon knows in his heart that she was real. Indeed, he becomes convinced that he’s seen a real-life mermaid. His ailing mother encourages him in this idea, but his brother and his friends think that it’s insane. Greydon sees the girl again, however, and soon learns that he can communicate with her telepathically—a power that his mother attributes to the circumstances surrounding his birth. Can he protect the mermaid from humankind? Rode’s prose is highly descriptive, but it’s also propulsive, moving the story along with the speed of a surfboard on ocean waves: “The ocean pulsated with a powerful force beneath Greydon’s board….Skimming along the top with exhilarating swiftness, he pivoted right and was surrounded by a curl of vivid blue seclusion and soft spray.” Along the way, the author has the protagonist—and the reader—grapple with various moral issues involving Greydon’s mother’s health, his father’s and uncle’s scientific work, and the treatment of dolphins at Marine World. Rode makes sure that young readers fully understand the similarities between dolphins and humans, as well.
A thoughtful oceanic novel with a touch of fantasy.Pub Date: Jan. 14, 2019
ISBN: 978-1-73287-701-6
Page Count: 126
Publisher: Time Tunnel Media
Review Posted Online: Nov. 20, 2018
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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