A quiet book that will stay with readers long after they have closed it.

READ REVIEW

TOWN IS BY THE SEA

The coal mines of Cape Breton in the Canadian province of Nova Scotia have closed, but this book recalls a time when generations of men toiled in the mines under the sea.

As the book starts, a white couple stands by the door. The woman holds her husband’s lunch pail as he gets ready to leave home. Upstairs, their son wakes up, and it is from him that readers will get to know his town and life by the sea, the repeated phrase “it goes like this—” lending the narrative a timeless quality. Both the text and the illustrations have a simple, understated quality that go hand in hand and lend a melancholic feel to the whole. A muted palette and images heavily outlined in black reinforce the feeling. As the boy goes about his life above—playing with his brown-skinned friend; coming home to a simple lunch; going to the store with a list for the grocer; or visiting his grandfather’s grave overlooking the sea—several predominantly black two-page spreads, vigorously textured strokes of black and gray adding weight, are woven into the narrative, reminding readers that deep down, the miners are digging for coal. A particularly poignant spread depicts the front door of the house in a wordless series, the angle of the sunlight showing time going by; in the last image the door is opening, and the narrator’s father is home at last.

A quiet book that will stay with readers long after they have closed it. (Picture book. 5-8)

Pub Date: April 11, 2017

ISBN: 978-1-55498-871-6

Page Count: 52

Publisher: Groundwood

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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Fun but earnest, this rhyming romp reminds readers that one young person can make a difference.

SOFIA VALDEZ, FUTURE PREZ

From the Questioneers series

Sofia Valdez proves that community organizers of any age can have a positive impact.

After a trash-heap eyesore causes an injury to her beloved abuelo, Sofia springs into action to bring big change to her neighborhood. The simple rhymes of the text follow Sofia on her journey from problem through ideas to action as she garners community support for an idyllic new park to replace the dangerous junk pile. When bureaucracy threatens to quash Sofia’s nascent plan, she digs deep and reflects that “being brave means doing the thing you must do, / though your heart cracks with fear. / Though you’re just in Grade Two.” Sofia’s courage yields big results and inspires those around her to lend a hand. Implied Latinx, Sofia and her abuelo have medium brown skin, and Sofia has straight brown hair (Abuelo is bald). Readers will recognize Iggy Peck, Rosie Revere, and Ada Twist from Beaty’s previous installments in the Questioneers series making cameo appearances in several scenes. While the story connects back to the title and her aptitude for the presidency in only the second-to-last sentence of the book, Sofia’s leadership and grit are themes throughout. Roberts’ signature illustration style lends a sense of whimsy; detailed drawings will have readers scouring each page for interesting minutiae.

Fun but earnest, this rhyming romp reminds readers that one young person can make a difference. (Picture book. 5-8)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3704-6

Page Count: 40

Publisher: Abrams

Review Posted Online: Nov. 24, 2019

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Patchy work, both visually and teleologically.

YOU'RE HERE FOR A REASON

The sultana of high-fructose sentimentality reminds readers that they really are all that.

Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.

Patchy work, both visually and teleologically. (Picture book. 6-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-250-05626-9

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: June 23, 2015

Kirkus Reviews Issue: July 15, 2015

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