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THE VANISHING SEASON

An intensely gripping tale with a surprise ending that’s fully earned.

In this moody thriller set on an isolated Wisconsin peninsula, the tourists are gone, a serial killer’s at large, and incendiary passions ignite in winter’s deepening bitter cold.

Smart, responsible Maggie is every parent’s dream. She hasn’t complained about leaving her Chicago life and friends behind for the shabby house in Door County, where she knows no one; aware that her parents are doing their best in difficult times, she wants to spare them knowledge of her unhappiness. Her new friend—beautiful, impulsive Pauline from the mansion next door, who takes abundance for granted—draws Maggie into her world, which includes Liam, who’s been in love with Pauline for years. Though Pauline insists she doesn’t reciprocate, Maggie notices their interdependence. She observes Pauline’s beauty, wealth and freedom with wry detachment, but she needs all her self-control to tamp down her growing attraction to Liam. A series of unsolved murders whose victims are local young women provides narrative counterpoint. Community benefits are held for the survivors, but parents guard their daughters fearfully. Trust’s in short supply. After Pauline’s sent to Milwaukee for her protection, Liam and Maggie draw closer, and Maggie’s swept away. As she did in Tiger Lily (2012), Anderson provides an observer’s voice, a sort of pared-down Greek chorus, that foreshadows and warns of what is coming while remaining helpless to prevent it.

An intensely gripping tale with a surprise ending that’s fully earned. (Fiction. 12 & up)

Pub Date: July 1, 2014

ISBN: 978-0-06-200327-0

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2014

Kirkus Reviews Issue: May 15, 2014

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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