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MAD HONEY

A well-paced story that highlights several timely issues, with a stimulating courtroom trial that makes it worth reading.

The shocking murder of a teenager thrusts a small town into the headlines and destabilizes the lives of everyone who knew her.

Olivia McAfee, a professional beekeeper and single mother, fled Boston and an abusive husband to try to give her son, Asher, a better life in small-town New Hampshire. Things go well for their first 12 years in Adams. Asher is a well-liked senior and captain of the high school hockey team; he barely remembers his abusive father; he and his mother have a great relationship; and he's preparing to go off to college. Then he meets Lily Campanello, a new girl who, like his mother, has fled a troubled past. Things get very serious quickly; then, one afternoon after they've had a fight, Asher finds Lily dead at the bottom of her basement stairs. Before he even has time to grieve, he's arrested and charged with her murder. What follows is a long and public courtroom trial in which everyone's secrets are exposed and even his own mother begins to question his innocence. Told in two storylines—one Olivia's, in the present, and one Lily's, going backward from the day of her murder—the novel is well plotted but sometimes feels long-winded, including characters who don't have much significance and details that don't seem relevant. It takes a while for the book to get moving, but once the trial begins, it becomes more compelling, and the courtroom scenes are where the writing shines brightest. The characters aren't as well developed as they should be, though, often feeling wooden or monochromatic—some always say the right thing while others always say or do the wrong thing—and the ending is predictable.

A well-paced story that highlights several timely issues, with a stimulating courtroom trial that makes it worth reading.

Pub Date: Oct. 4, 2022

ISBN: 978-1-9848-1838-6

Page Count: 464

Publisher: Ballantine

Review Posted Online: July 12, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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MY NAME IS EMILIA DEL VALLE

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

A free-spirited woman forges a career as a writer and journalist, risking scandal and war zones to follow her heart.

Allende’s latest opens in San Francisco in 1873, introducing Emilia at age 7, the illegitimate daughter of Molly Walsh, who, as a novice nun, was seduced and abandoned by wealthy Chilean Gonzalo Andrés del Valle. Molly goes on to a successful marriage, Emilia grows up with a loving stepfather, and at 17 she begins writing, then publishing, sensational dime novels under the pseudonym Brandon J. Price. By 23, she’s a journalist with a column in The Daily Examiner, though still forced to hide her gender behind her pen name. Rule breaking is in her nature, and while she accepts, for now, lower pay than men, she decides on a trip to New York to take a lover and learns to control her own contraception. Later, finally writing under her own name, she’s commissioned to go to Chile and cover its civil war from a human angle, accompanied by colleague and friend Eric Whelan, whose focus is the military aspect. Chilean revolutionary politics make for less sprightly reading, but Emilia’s individual encounters with members of high and low society lend atmosphere. These include the president, a great aunt, and eventually her father—now alone, regretful, and mortally ill. Although he disapproves of working women, the two share a “desire to see the world and experience everything intensely,” and when he offers to recognize Emilia as his legitimate child, she accepts. Now the story gathers pace, with Emilia—always and predictably the rebel—witnessing the horrors of battle, discovering that she and Eric are in love, and getting arrested. Not quite plausibly, she instigates a further sequence of impulsive moves before the story is permitted to conclude.

An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.

Pub Date: May 6, 2025

ISBN: 9780593975091

Page Count: 304

Publisher: Ballantine

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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