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MY SISTER’S KEEPER

Despite overplotting, then, a telling portrait of a profoundly stressed family.

Picoult’s latest chronicle of family travail (Second Glance, 2003, etc.) highlights the consequences of deliberately conceiving a child genetically compatible with a mortally ill sibling.

The author vividly evokes the physical and psychic toll a desperately sick child imposes on a family, even a close and loving one like the Fitzgeralds. Picoult’s plotting, though, is less sure, as an inherently somber tale morphs into a melodrama with a too-neat twist. Anna Fitzgerald, the 13-year-old who begins the story, was conceived in vitro, and her embryo’s genetic makeup closely matched that of her sister Kate. Now 16, Kate was diagnosed at 2 with acute promyelocytic leukemia. In the years that followed she has suffered numerous relapses, despite the infusion of Anna’s platelets and bone marrow, even stem cells from her sister’s umbilical cord. Their parents, Sara and Brian, now want Anna to give Kate one of her kidneys; compromised by her drastic treatments, Kate’s organs are shutting down. Instead, Anna contacts attorney Campbell Alexander and asks him to represent her; she wants her parents to stop using her body to help Kate. Like elder brother Jesse, who’s turned his angst into arson and general bad-boy behavior, she has spent her life in the shadow of her sister’s illness—one year Kate had to be hospitalized on every holiday. Sara, who has made keeping Kate alive her life’s mission, is very angry, but Brian initially takes Anna’s side, feeling too much has been asked of her. A hearing is scheduled, though Anna is torn between her affection for Kate and what she feels must be done. As the hearing begins Kate is hospitalized, Jesse’s arson is discovered, and Anna initially refuses to testify. There can be no easy outcomes in a tale about individual autonomy clashing with a sibling’s right to life, but Picoult thwarts our expectations in unexpected ways.

Despite overplotting, then, a telling portrait of a profoundly stressed family.

Pub Date: April 1, 2004

ISBN: 0-7434-5452-9

Page Count: 432

Publisher: Atria

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 2004

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THE WOMEN IN THE CASTLE

Neither romantic nor heroic, Shattuck’s new novel seems atypical of current World War II fiction but makes sincere,...

Three German “widow[s] of the resistance,” who spend time together at a run-down castle when World War II ends, embody aspects of the catastrophe that overcame their country.

Germany, 1945: in this devastated landscape where “no one was innocent,” there is misery for all and plenty to spare. Guilt, shame, suffering, and silence go hand in hand as the German people emerge from war and fascism, and Europe is awash with displaced persons. Shattuck’s (Perfect Life, 2009, etc.) third novel centers on the von Lingenfels castle, a place of aristocratic indulgence in prewar years, now a ruined shell owned by Marianne von Lingenfels, the widow of Albrecht, one of a group of men who failed in an attempt to assassinate Hitler and were hanged. It’s this group which links Marianne to the two other women and their children, whom she invites to the castle for shelter: Benita Fledermann, widow of the charismatic Constantine, who survived the Russian occupation of Berlin but paid a heavy price; and Ania Grabarek, who walked west, out of the wreckage of Poland, with her two sons and is also keeping secrets about what she has seen and done. In this primer about how evil invades then corrupts normal existence, Shattuck delivers simple, stark lessons on personal responsibility and morality. Inevitably, it makes for a dark tale, more a chronology of three overlapping, contaminated, emblematic lives than a plot. Some final uplift does arrive, however, via the views of the next generation, which apply a useful layer of distance and some hope on the sins of the fathers—and mothers.

Neither romantic nor heroic, Shattuck’s new novel seems atypical of current World War II fiction but makes sincere, evocative use of family history to explore complicity and the long arc of individual responses to a mass crime.

Pub Date: April 4, 2017

ISBN: 978-0-06-256366-8

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 26, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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THE VACATIONERS

A novel that is both a lot of fun to read and has plenty of insight into the marital bond and the human condition.

Straub refreshes a conventional plot through droll humor and depth of character.

By now, the premise is so familiar it seems like such a novel could write itself, but it wouldn’t write itself nearly as engagingly as Straub has (Laura Lamont’s Life in Pictures, 2012, etc.). Starting with the somewhat generic title, she has all the predictable elements in place: family and close friends gathering at an exotic remove from their daily lives, reveal secrets (and articulate unacknowledged truths), learn how well they know each other and how well they don’t, discover which relationships will endure—even strengthen—and which will dissolve. At the end of the idyll—in this case two weeks on the Spanish island of Mallorca—all will return transformed. The reason for this group gathering is the 35th anniversary of Jim and Franny and the high school graduation of their daughter, Sylvia. Franny is a successful journalist, specializing in travel pieces, and Jim had a career at a GQ-style magazine until he lost his job as editor for reasons that threaten their marriage. Sylvia is the novel’s most perceptive character, with a single goal for the vacation—losing her virginity. Joining them are their older son, Bobby, and his older girlfriend, whose lives in Florida are something of a mystery to the New York family, as well as Franny’s lifelong friend Charles and his husband, Lawrence. From the periphery, Lawrence observes that “[o]ther people’s families were as mysterious as an alien species, full of secret codes and shared histories.” Yet even those who share that history remain enigmas to each other, as Franny discovers about Jim: “What did anyone know about anyone else, including the person they were married to?” Ultimately, the reader will savor the novel’s illumination of these characters, who are neither good nor evil but all too human. Will Jim and Franny stay together? Will Sylvia achieve her goal?

A novel that is both a lot of fun to read and has plenty of insight into the marital bond and the human condition.

Pub Date: May 29, 2014

ISBN: 978-1-59463-157-3

Page Count: 304

Publisher: Riverhead

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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