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THE DARK ARTS

A MOVIE SCRAPBOOK

From the J.K. Rowling's Wizarding World series

A spoiler-y aide de memoire helpful for keeping the villains straight.

A reminiscent peek into the darker corners of the Wizarding World’s media products.

You-Know-Who and the Death Eaters lead off, logically enough, with spreads on horcruxes (horcruces?), dementors, curses, potions, and Hogwarts’ revolving door of Defense Against the Dark Arts faculty following—along with nods to the Order of the Phoenix and Dumbledore’s Army. Close-ups of Percival Graves/Gellert Grindelwald and the Obscurus fill out a closing section about the first Fantastic Beasts and Where to Find Them film. On each page, concept art (including, notably, an early portrait of He Who Must Not Be Named with a human, rather than ophidian, nose) and film stills mingle with spoiler-laden expository passages. The latter pay scant attention to the original print stories before turning to offer superficial sound bites from some of the actors amid tidbits about sets, makeup, or special effects. A packet of character cards for leading members of the Order, a sticker sheet, and a sparse handful of loosely attached booklets and miniposters add easily lost (and easily missable) extras to the package.

A spoiler-y aide de memoire helpful for keeping the villains straight. (Novelty. 10-13)

Pub Date: June 6, 2017

ISBN: 978-0-7636-9591-0

Page Count: 48

Publisher: Candlewick

Review Posted Online: May 30, 2017

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THE 25 GREATEST BASEBALL PLAYERS OF ALL TIME

In no particular order and using no set criteria for his selections, veteran sportscaster Berman pays tribute to an arbitrary gallery of baseball stars—all familiar names and, except for the Yankees’ Alex Rodriguez, retired from play for decades. Repeatedly taking the stance that statistics are just numbers but then reeling off batting averages, home-run totals, wins (for pitchers) and other data as evidence of greatness, he offers career highlights in a folksy narrative surrounded by photos, side comments and baseball-card–style notes in side boxes. Readers had best come to this with some prior knowledge, since he casually drops terms like “slugging percentage,” “dead ball era” and “barnstorming” without explanation and also presents a notably superficial picture of baseball’s history—placing the sport’s “first half-century” almost entirely in the 1900s, for instance, and condescendingly noting that Jackie Robinson’s skill led Branch Rickey to decide that he “was worthy of becoming the first black player to play in the majors.” The awesome feats of Ruth, Mantle, the Gibsons Bob and Josh, Hank Aaron, Ty Cobb and the rest are always worth a recap—but this one’s strictly minor league. (Nonfiction. 10-12)

Pub Date: Sept. 7, 2010

ISBN: 978-1-4022-3886-4

Page Count: 138

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Aug. 2, 2010

Kirkus Reviews Issue: Aug. 1, 2010

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EPIC CLIMBS

From the Epic Adventure series

In a helter-skelter scrapbook format, Cleare, a veteran mountaineer, profiles five of the world’s most renowned mountains—K2, the Eiger, the Matterhorn, Everest and Mount McKinley—and identifies some of the major historical expeditions to their summits. Top-to-bottom views of each peak are provided via single, double or (for Everest) wall-poster-sized triple foldouts. Along with those, dozens of smaller captioned photos, maps, images or realistic reconstructions depict noted climbers of the past, local wildlife, old- and new-style climbing gear, wind and weather patterns, climbers’ camps, glaciers and rugged landscapes. Likewise, each peak receives an introductory passage of dramatic prose (“Mount McKinley is a colossal, icy complex of ridges, spurs, buttresses, and hanging glaciers,” forming “a crucible of particularly evil weather”). This is accompanied by assemblages of captions and commentary in smaller type that detail its challenges and the often-unhappy history of climbers who faced them. The level of detail is specific enough to include views and comparisons of the actual routes up each mountain, and readers are expected to be clear on the difference between a cirque and a serac, or a “technical” and a “nontechnical” climb. Armchair climbers who can weather the random-feeling arrangement of pictures and the overall absence of narrative flow are in for thrills. (Informational browsing item. 11-13)

Pub Date: May 1, 2011

ISBN: 978-0-7534-6573-8

Page Count: 64

Publisher: Kingfisher

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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