A bracing, spirited true-crime narrative that reads like fiction but is very much real and rooted in the brutality and...
A novice attorney struggles with one of the most challenging and melodramatic cases of his young career.
For this serpentine, true-crime dramatic depiction, novelist and essayist Seay (Dead in a Ditch, 2011, etc.) effectively collaborated with debut author Lloyd, an Oklahoma litigator who, in distinctive detail, describes the yearlong, first-degree murder case that would shake up his early days in the courtroom. Escorting Seay to the Oklahoma locations crucial to the events and drawing from a memory bolstered by a trove of newspaper articles and court transcripts, Lloyd engrossingly pieces together a story of crime and blame. The case began in 1982, a time when Lloyd, a cub lawyer having only tried (and lost) one jury trial, was engulfed in grief after losing his newborn son. He channeled great effort into examining a homicide involving Noi Kanchana Mitchell, a wife charged with the ruthless murder of her husband, Bobby, in a case that, in Lloyd’s words, would take “all of the energy and physical reserve I could muster” and endanger his marriage and jeopardize his financial stability. Thankfully, this intriguing setup delivers on all of its promises as readers are immediately thrust into the story of Bobby Mitchell and his Thai wife, Noi, and the nagging feeling Lloyd experienced that she was innocent of his murder even though the odds were stacked against her. The primary evidence, which pointed to her direct involvement in her husband’s strangling, shooting, and corpse disposal, included the statements of an accomplice and Noi’s audiotaped confession. Upon questioning her, the attorney discovered a language barrier and some emotional trauma, which became problematic to sleuthing the case. Lloyd, clever and determined, discounted Noi’s confession, believing it to have been coerced by police, and through preliminary hearings, courtroom dramatics, key witnesses, misled speculation, and cruel accusations, the truth, while untidy, finally emerged in grand fashion. Despite three trials, fluctuating self-confidence, and numerous roadblocks, Lloyd triumphed. His tale provides tantalizing, exhilarating fodder for Seay to mold and craft into a rollicking murder trial that moves swiftly despite a surfeit of heavily detailed events and many supporting characters. Besides enticing Perry Mason fans, this book should please readers devilishly curious about the intricate workings of the justice system and the trial-by-jury process.
A bracing, spirited true-crime narrative that reads like fiction but is very much real and rooted in the brutality and injustices of contemporary life.Pub Date: June 22, 2018
ISBN: 978-1-938282-21-8
Page Count: 380
Publisher: Koho Pono
Review Posted Online: April 1, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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