A novice attorney struggles with one of the most challenging and melodramatic cases of his young career.
For this serpentine, true-crime dramatic depiction, novelist and essayist Seay (Dead in a Ditch, 2011, etc.) effectively collaborated with debut author Lloyd, an Oklahoma litigator who, in distinctive detail, describes the yearlong, first-degree murder case that would shake up his early days in the courtroom. Escorting Seay to the Oklahoma locations crucial to the events and drawing from a memory bolstered by a trove of newspaper articles and court transcripts, Lloyd engrossingly pieces together a story of crime and blame. The case began in 1982, a time when Lloyd, a cub lawyer having only tried (and lost) one jury trial, was engulfed in grief after losing his newborn son. He channeled great effort into examining a homicide involving Noi Kanchana Mitchell, a wife charged with the ruthless murder of her husband, Bobby, in a case that, in Lloyd’s words, would take “all of the energy and physical reserve I could muster” and endanger his marriage and jeopardize his financial stability. Thankfully, this intriguing setup delivers on all of its promises as readers are immediately thrust into the story of Bobby Mitchell and his Thai wife, Noi, and the nagging feeling Lloyd experienced that she was innocent of his murder even though the odds were stacked against her. The primary evidence, which pointed to her direct involvement in her husband’s strangling, shooting, and corpse disposal, included the statements of an accomplice and Noi’s audiotaped confession. Upon questioning her, the attorney discovered a language barrier and some emotional trauma, which became problematic to sleuthing the case. Lloyd, clever and determined, discounted Noi’s confession, believing it to have been coerced by police, and through preliminary hearings, courtroom dramatics, key witnesses, misled speculation, and cruel accusations, the truth, while untidy, finally emerged in grand fashion. Despite three trials, fluctuating self-confidence, and numerous roadblocks, Lloyd triumphed. His tale provides tantalizing, exhilarating fodder for Seay to mold and craft into a rollicking murder trial that moves swiftly despite a surfeit of heavily detailed events and many supporting characters. Besides enticing Perry Mason fans, this book should please readers devilishly curious about the intricate workings of the justice system and the trial-by-jury process.
A bracing, spirited true-crime narrative that reads like fiction but is very much real and rooted in the brutality and injustices of contemporary life.
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").
This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)