A tight, absorbing story with the potential for a sequel or two.
When Earth launches an invasion of the colonized planet of Haven, its people form a militia to fight back in East’s (Base Camp Freedom, 2012) sci-fi thriller.
It’s been 250 years since an American space exploration team discovered Haven, a planet similar to Earth. Since then, the United States has controlled most of Earth’s food supply, but it needs Haven’s rich agriculture. When Haven is less than receptive to the U.S. president’s demands to increase its agricultural production, he authorizes an invasion. Construction worker John Collins is just one of numerous Haven inhabitants drafted into the planet’s militia. He becomes a mechanic assigned to Warrant Officer Helen Ramses, who operates an armored vehicle known as a cheetah. The couple’s initially turbulent relationship soon leads to romance as the Haven Militia struggles to defeat Earth forces. Although the author sets up what could be the start of an epic series, he keeps this story compact by concentrating mainly on John’s story. Readers follow along as John undergoes training, endures the occasional injury, and falls so hard for Helen that marriage and a family could be in their future. John’s problems may pale compared to the ongoing war. However, it’s easy for readers to sympathize with him, even if his obstacle is just an attractive officer testing his loyalty to Helen. Sharing some of the narrative perspective is Lt. Bill Anders on Earth, an indisputable villain who responds to a West Point classmate bumping into him by kidnapping said cadet—an abduction which doesn’t end well. Bill’s part in the story regrettably wanes, however, as Earth’s invasion gets under way, but he more than solidifies his depravity within just a few scenes. His plan to ensnare Haven soldiers, for example, is disconcerting, to say the least. A very short chapter touching on Haven’s spy network on Earth, though, feels like a missed opportunity. That said, East reinforces his tale with plenty of goodies, such as a possible traitor in Haven’s midst and a plot to kidnap a high-ranking Earth officer.
A tight, absorbing story with the potential for a sequel or two.Pub Date: Sept. 11, 2015
ISBN: 978-1-49-177630-8
Page Count: 366
Publisher: iUniverse
Review Posted Online: Nov. 4, 2015
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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