A winning tale of music, technology, and femme fatales.
In this modern noir, a man sets out to discover himself on a road trip only to become mixed up with counterfeiters.
Tommy Kelsey, a mechanic from Gates Mills, Ohio, has just turned 29. After a night of blowout celebration, he realizes that his life is nothing but a quagmire of texting and wasted potential. Impulsively, he hops in his restored 1965 Plymouth Barracuda, packing some mystery novels and his guitar, and drives west. He also tosses his smartphone out the car window—job and relationships be damned. At a Big Boy restaurant, he meets a beautiful, redheaded hitchhiker named Mona. He drives with her to Chicago, agreeing to be her private investigator for three days. She pays him $600 cash from her tightly clutched backpack, and they check into a hotel. In the morning, Mona is gone, and he finds her backpack shoved under the hood of his car. Inside the pack is her phone, a note from Mona asking him to find her, and $500,000. Now Tommy must hone some genuine PI skills if he’s to survive a city known as much for its astonishing murder rate as its blues music. He finds Mona dancing at the Pink Monkey club—but she doesn’t recognize him at all. Klingler (Rats, 2014, etc.) presents his craftiest yarn to date, summoning the pulpy spirits of Raymond Chandler and Dashiell Hammett. The setting of Chicago rattles from the page in lines such as, “The buildings held noise and exhaust fumes around me like a torture chamber.” The author populates his narrative with ingénues (Lizz the librarian, Penny the criminology major, Tracy the groupie) whose engines Tommy easily revs; they also help him with his investigation until he finally starts getting somewhere on his own. Klingler carefully shades in the connections between a murder in an underground Detroit cemetery, a counterfeiting operation, and the hitchhiker with a short memory. Although the final third wanders a bit with Tommy moonlighting as a blues guitarist, the finale offers a thrilling portrait of citywide corruption.
A winning tale of music, technology, and femme fatales.Pub Date: Oct. 23, 2015
ISBN: 978-1-941156-05-6
Page Count: 416
Publisher: Cartosi LLC
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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