by Joe Lee Janssens ‧ RELEASE DATE: Dec. 2, 2016
An uncommon blend of military analysis and sociological history.
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A scholarly analysis of the Mexican Revolution that focuses on how innovations in military economy and tactics resulted in social change.
In this second installment in a trilogy, Janssens shifts away from an examination of the defense establishment during the Mexican Revolution and tackles the consequences of the Federal Army’s thorough destruction. In response to the challenge posed by the swelling ranks of the Constitutionalists, the Federal Army staged a massive mobilization of its own, but it was ill-suited to the task. It was wedded to an 18th-century European model of an army run by an officer corps of ersatz nobility, so its large-scale recruitment degraded the overall quality of its troops and undercut its claim to superiority. By contrast, the Constitutionalists effectively built a considerable citizen army, and they had to devise an economic strategy to sustain it through the war. In short, they had to create a sophisticated fiscal policy—replete with taxations schemes, business interests, and even currency—that allowed them to compete with an army backed by a sovereign nation. Janssens is keenly interested in the social impact of the Federal Army’s demise; not only did it undermine the mystique of professional military service and replace it with a more egalitarian model, he says, but it also produced a new brand of soldier that was more entrepreneurial than aristocratic. As in the first volume, the author ably repudiates Marxist historiography that overemphasizes the American influence on the war, which he says was largely operational and tactical rather than material. Also, Janssens’ investigative research is again breathtakingly scrupulous and his defiance of prevailing opinion remains impressive. This is an academic monograph for specialists, as the arguments are far too minutely detailed and dense to be accessible to laypeople. That said, the author spectacularly succeeds in connecting the conclusion of the war to the end of a certain species of militarism. Moreover, he continues to back up his plausible claim that the Mexican Revolutionary War had wide-ranging social and economic ramifications. As a result, this bracingly original and authoritative volume is sure to become a fixture of scholarly debate.
An uncommon blend of military analysis and sociological history.Pub Date: Dec. 2, 2016
ISBN: 978-0-9964789-1-5
Page Count: 536
Publisher: Revolution Publishing
Review Posted Online: Feb. 2, 2017
Kirkus Reviews Issue: March 1, 2017
Review Program: Kirkus Indie
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by Ozzy Osbourne with Chris Ayres
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
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