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MANEUVER AND BATTLE IN THE MEXICAN REVOLUTION

A REVOLUTION IN MILITARY AFFAIRS

An uncommon blend of military analysis and sociological history.

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A scholarly analysis of the Mexican Revolution that focuses on how innovations in military economy and tactics resulted in social change.

In this second installment in a trilogy, Janssens shifts away from an examination of the defense establishment during the Mexican Revolution and tackles the consequences of the Federal Army’s thorough destruction. In response to the challenge posed by the swelling ranks of the Constitutionalists, the Federal Army staged a massive mobilization of its own, but it was ill-suited to the task. It was wedded to an 18th-century European model of an army run by an officer corps of ersatz nobility, so its large-scale recruitment degraded the overall quality of its troops and undercut its claim to superiority. By contrast, the Constitutionalists effectively built a considerable citizen army, and they had to devise an economic strategy to sustain it through the war. In short, they had to create a sophisticated fiscal policy—replete with taxations schemes, business interests, and even currency—that allowed them to compete with an army backed by a sovereign nation. Janssens is keenly interested in the social impact of the Federal Army’s demise; not only did it undermine the mystique of professional military service and replace it with a more egalitarian model, he says, but it also produced a new brand of soldier that was more entrepreneurial than aristocratic. As in the first volume, the author ably repudiates Marxist historiography that overemphasizes the American influence on the war, which he says was largely operational and tactical rather than material. Also, Janssens’ investigative research is again breathtakingly scrupulous and his defiance of prevailing opinion remains impressive. This is an academic monograph for specialists, as the arguments are far too minutely detailed and dense to be accessible to laypeople. That said, the author spectacularly succeeds in connecting the conclusion of the war to the end of a certain species of militarism. Moreover, he continues to back up his plausible claim that the Mexican Revolutionary War had wide-ranging social and economic ramifications. As a result, this bracingly original and authoritative volume is sure to become a fixture of scholarly debate.

An uncommon blend of military analysis and sociological history.

Pub Date: Dec. 2, 2016

ISBN: 978-0-9964789-1-5

Page Count: 536

Publisher: Revolution Publishing

Review Posted Online: Feb. 2, 2017

Kirkus Reviews Issue: March 1, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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