Plenty of standouts are on display in this gruesome grab bag of literary terror.

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Ten spooky stories pay tribute to the wicked delights of classic and modern gothic horror fiction in this anthology.

Editor McDermott combines aspects of horror and fantasy in this deliciously dark volume probing the depths of the unexplained and the nature of evil. The collection immediately evokes an edgy rather than an overly frightening tone with Stina Leicht’s moody “Forgiveness Is Warm Like a Tear on the Cheek.” The tale features a man wrestling with ghosts from his past in a reputedly haunted, three-story Victorian house where spirits reside in an adjacent cemetery. In order to bury the unresolved demons in his past, he must confront some present-day scares (and a few apparitions) first. Fans of deep blue ocean waters will appreciate the murky mystery emerging from the depths of the Mediterranean in fantasy writer E. Catherine Tobler’s superbly disturbing “Blue Hole, Red Sea.” A female archaeology diver confronts an ominous hieroglyphic obelisk and a majestic temple honoring female gods. McDermott’s story selections conjure a devilish panoply of players, ranging from the desperate actor in Rhiannon Rasmussen’s vampiric fantasy “The Maidens of Midnight” who finally gets her big break playing a “monster and a lesbian” to a magician prodded to teach an eager follower “real magic” in Adam Gallardo’s “The Ultimate Secret of Magic” and the young, wildly imaginative writer and Ayn Rand fan who spends her summer vacation crafting a horror novel in Molly Tanzer’s “Summer Camp Would Have Been a Lot Cheaper."

Vampires, even those who are killed only to be resurrected by their younger counterparts, reign supreme in Bonnie Jo Stufflebeam’s menacingly comic monster mashup “Hammerville.” The story references the British movie production company responsible for the gothic “Hammer Horror” films of the 1950s through the ’70s. Most tales immediately sweep readers into their atmospheric nightmares, like Craig Laurance Gidney’s “Myth and Moor,” which stars a child who seamlessly converses with a witch and the ghost of a missing kid on the heath outside her home. Still others are masterful in their slow-burn narrative setups that then spring horrific denouements on unsuspecting readers. This is true of the haunted, Maine-based B&B featured in Haralambi Markov’s cinematic gorefest “The Midnight Feast,” where a final, breathless countdown spells sheer terror. In this volume, McDermott, a co-editor of the collection of futuristic crime short fiction The Way of the Laser (2020), combines novelettes with shorter vignettes to an impressive extent. His anthology will appeal to readers of both modern horror fiction and the classic genre yarns derived from the black-and-white and early color film eras. A character in A.C. Wise’s ghost-story homage to classic horror, titled “A Thousand Faces Minus One,” says a timely, eerily relevant mouthful when she quips: “People love hidden histories and conspiracy theories.” These same readers and many more will savor this collection of the sinister, the kooky, and the creepy.

Plenty of standouts are on display in this gruesome grab bag of literary terror.

Pub Date: Oct. 1, 2020

ISBN: 978-1-952283-03-1

Page Count: 372

Publisher: Vernacular Books

Review Posted Online: Sept. 2, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.


Narnia on the Penobscot: a grand, and naturally strange, entertainment from the ever prolific King.

What’s a person to do when sheltering from Covid? In King’s case, write something to entertain himself while reflecting on what was going on in the world outside—ravaged cities, contentious politics, uncertainty. King’s yarn begins in a world that’s recognizably ours, and with a familiar trope: A young woman, out to buy fried chicken, is mashed by a runaway plumber’s van, sending her husband into an alcoholic tailspin and her son into a preadolescent funk, driven “bugfuck” by a father who “was always trying to apologize.” The son makes good by rescuing an elderly neighbor who’s fallen off a ladder, though he protests that the man’s equally elderly German shepherd, Radar, was the true hero. Whatever the case, Mr. Bowditch has an improbable trove of gold in his Bates Motel of a home, and its origin seems to lie in a shed behind the house, one that Mr. Bowditch warns the boy away from: “ ‘Don’t go in there,’ he said. ‘You may in time, but for now don’t even think of it.’ ” It’s not Pennywise who awaits in the underworld behind the shed door, but there’s plenty that’s weird and unexpected, including a woman, Dora, whose “skin was slate gray and her face was cruelly deformed,” and a whole bunch of people—well, sort of people, anyway—who’d like nothing better than to bring their special brand of evil up to our world’s surface. King’s young protagonist, Charlie Reade, is resourceful beyond his years, but it helps that the old dog gains some of its youthful vigor in the depths below. King delivers a more or less traditional fable that includes a knowing nod: “I think I know what you want,” Charlie tells the reader, "and now you have it”—namely, a happy ending but with a suitably sardonic wink.

A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

Pub Date: Sept. 6, 2022

ISBN: 978-1-66800-217-9

Page Count: 608

Publisher: Scribner

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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A unique story of transcendent love.


An aimless young musician meets the girl of his dreams only to have his newfound happiness threatened by several inexplicable—and possibly supernatural—events.

The story opens as Leeds Gabriel meets with a detective while his girlfriend, Layla, is restrained in a room one flight above them. Through the interview, readers learn that Leeds was wasting both his time and his musical talent playing backup for a small-town wedding troupe called Garrett’s Band when he spied Layla dancing her heart out to their mediocre music at a wedding. When Leeds approaches Layla, their connection is both instant and intense. A blissful courtship follows, but then Leeds makes the mistake of posting a picture of himself with Layla on social media. A former girlfriend–turned-stalker wastes no time in finding and attacking Layla. Layla spends months recovering in a hospital, and it seems the girl Leeds fell for might be forever changed. Gone is her special spark, her quirkiness, and the connection that had entranced Leeds months before. In a last-ditch effort to save their relationship, he brings Layla back to the bed-and-breakfast where they first met. When they get there, though, Leeds meets Willow, another guest, and finds himself drawn to her in spite of himself. As events unfold, it becomes clear that Willow will either be the key to saving Leeds’ relationship with Layla or the catalyst that finally extinguishes the last shreds of their epic romance. Told entirely from Leeds’ point of view, the author’s first foray into paranormal romance does not disappoint. Peppered with elements of mystery, psychological thriller, and contemporary romance, the novel explores questions about how quickly true love can develop, as well as the conflicts that can imperil even the strongest connections. Despite a limited cast of characters and very few setting changes, the narrative manages to remain both fast-paced and engaging. The conclusion leaves a few too many loose ends, but the chemistry between the characters and unexpected twists throughout make for a satisfying read.

A unique story of transcendent love.

Pub Date: Dec. 8, 2020

ISBN: 978-1-5420-0017-8

Page Count: 301

Publisher: Montlake Romance

Review Posted Online: Sept. 16, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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