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PEANUT BUTTER & ALIENS

A ZOMBIE CULINARY TALE

Readers of the first book will be pleased with the continuing adventures of Abigail and Reginald, but others may want to...

The follow-up to Peanut Butter & Brains (2015) adds an interstellar element but shows that sandwich snacks can be universal.

In the town of Quirkville, living people and the undead enjoy a peaceful cohabitation. But when one-eyed green aliens demanding, “SPLOINK!?” arrive and begin shooting up the town with “cosmic grape jelly,” heroes Abigail Zink and zombie Reginald save the day with the only complementary sandwich spread (hint: it’s in the title) that will please them. As with the first book, Abigail and Reginald make a winning team, and the zombies are illustrated as cute, if a little stitched-up and gray-blue in skin tone. (Abigail is white, but the other living inhabitants of Quirkville show pleasing diversity.) But what was fizzy and fun in the first book may seem like a loose mishmash (zombies and aliens and food culture) to readers new to the concept. And the aliens themselves lack the charm of the zombies; they’re tentacled and Popsicle-shaped with sprouting antennae and potato-shaped blasters, a not-particularly-original imagining. If the aliens seem gimmicky, especially for a story set in Quirkville, the story at least has a feel-good ending free of peanut allergies, which apparently aren’t a thing in outer space.

Readers of the first book will be pleased with the continuing adventures of Abigail and Reginald, but others may want to pick that volume first or bypass this alien sighting entirely. (Picture book. 3-7)

Pub Date: Aug. 29, 2017

ISBN: 978-1-4197-2530-2

Page Count: 32

Publisher: Abrams

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

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CREEPY CRAYON!

From the Creepy Tales! series

Chilling in the best ways.

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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.

Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)

Chilling in the best ways. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-6588-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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THE LITTLE GHOST WHO WAS A QUILT

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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