by Joe Meno ‧ RELEASE DATE: June 2, 2020
A well-paced and engaging account, highly relevant to current political debates.
Ambitious exposé of the troubled immigration system as seen through the lens of two African migrants’ experiences.
Meno, a professor of creative writing and prolific fiction writer, tracks the grueling journeys of his complexly rendered protagonists, Razak and Seidu, both from Ghana, one fleeing a murderous family dispute, the other a promising soccer player facing persecution after being outed as bisexual. The author portrays them convincingly as hapless pawns in a massive explosion of migration, countered in the Americas with greed and cruelty. Even for those with legitimate reasons to seek shelter, like his protagonists, “the asylum process in the U.S. has become its own inviolable system.” The narrative is both sprawling and controlled, as Meno alternates between a terrifying account of their attempts to reach safety across the Canadian border during a blizzard and the longer-term arc of their improbable, brutal journeys as migrants. Both men traveled through Central America, facing constant danger and abuse. Applying for asylum at the American border, they discovered an unfortunate truth: that the post–9/11 realignment of homeland security “had far-reaching political and cultural consequences, immediately changing how refugees and asylum seekers were publicly viewed.” Razak was detained for two years at a remote private prison, feeling “he had been taken out of the world.” Seidu was also detained, eventually bonded to his brother’s custody: “It was almost too much, this homecoming, this feeling of unabashed love and support” Yet, despite his credible fear, his request for asylum was denied without explanation, prompting his flight to Canada. Similarly, Razak found a life in New York but fled north after being scheduled for deportation. The narrative is dispiriting, as Meno documents the Kafkaesque, for-profit reality of today’s immigration morass, but Meno writes deftly, with a fine sense of detail and place, bringing an all-too-common story to life.
A well-paced and engaging account, highly relevant to current political debates.Pub Date: June 2, 2020
ISBN: 978-1-64009-314-0
Page Count: 336
Publisher: Counterpoint
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: April 15, 2020
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by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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