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HEY DIDDLE DIDDLE

From the Classic Nursery Rhymes Retold series

A jumping-off point for educators to encourage children to think beyond the original text.

A continuation of the classic nursery rhyme “Hey Diddle Diddle.” The dish and the spoon have run away, so what happens next?

Staying close to the original tune (some verses take practice), Rhatigan postulates how the nursery rhyme might carry on. The usual suspects—the cat and the fiddle, the cow and the moon, et al.—show up in the illustrations but do not appear in the text again after the original stanza. Instead, nonsense and wordplay abound. There are a fish and a noodle trying to climb a tree and a joyful elephant that dances on the highest limb. Each verse begins with the obligatory “Hey,” followed by a silly, repeating word: “Hey ladle ladle, / the giraffe in a cradle, / cried for some soup and cheese. // A large sippy cup told him to hush, / and then launched into space with a sneeze.” Amid the grumpy trees, grinning hot dogs, and other (slightly creepy) anthropomorphized objects, the only two human children are white. A simultaneously publishing companion, The Itsy Bitsy Spider, does actually follow the spider through the song’s extension, but the scansion is more difficult to sustain, and the spider’s day is a bit dull.

A jumping-off point for educators to encourage children to think beyond the original text. (Picture book. 3-6)

Pub Date: May 1, 2017

ISBN: 978-1-63322-161-1

Page Count: 32

Publisher: Moondance/Quarto

Review Posted Online: March 14, 2017

Kirkus Reviews Issue: April 1, 2017

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DIGGER, DOZER, DUMPER

While there are many rhyming truck books out there, this stands out for being a collection of poems.

Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.

Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.

While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)

Pub Date: Aug. 27, 2013

ISBN: 978-0-7636-5078-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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AMOR IS TO LOVE YOU

From the Canticos series

A testament to the universality of love.

An expanded explanation of love in both English and Spanish.

Several animal personalities pose the question, “What is love?” and in a series of lift-the-flap responses present various emotional scenarios. Little Elephant asks Spider, “Is it the joy of having you around?” Spider asks, “Is it the way you lift me when I’m down?” Each page corresponds to a flap that reveals one of a multitude of feelings love can evoke in either an English or Spanish rhyme, which are not direct translations of each other. An interspersed refrain notes, “Amor for the Spanish, / and love en inglés. / Love in any language / always means the same.” A palette of pastels and purple and pink hues dominate as hearts abound on each page, surrounding the characters, who are adorable though on the overly sweet side. The characters are from the bilingual preschool series Canticos, though it will work even among those without knowledge of the show. Children more fluent in Spanish will be better able to appreciate this, and those familiar with the show will recognize the signature characters, including “Los Pollitos” (Little Chickies). (This book was reviewed digitally.)

A testament to the universality of love. (Board book. 3-6)

Pub Date: Nov. 8, 2022

ISBN: 978-1-945635-72-4

Page Count: 24

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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