Complex and alienating, but a bold effort.
A slim, textually dense attempt to change the conversation between believers and atheists.
Posner explores ancient and modern questions about God’s existence and power from the point of view of philosophical arguments regarding being, ontology and more. Along the way, he coins a variety of new or unusual terms, including “tranjects,” (transcendental objects) “obvents,” (object-events) and “primaverse,” which is seemingly a complement to multiverse (multiple universe). The book’s primaverse theory suggests that God resides (as far as such a statement is possible) in a place of essential being, a place that has always existed, as compared with an emergent being, or coming into being moment to moment. This is the author’s foundation for undermining underlying assumptions about the necessity of God’s existence and statements about God’s nature. While obviously conversant in the philosophers and theologians key to his argument, Posner provides little groundwork to set up his position, with the exception of briefly referencing important past thinkers. In contrast to the heavy prose, the book occasionally assumes a light tone, e.g., one section is called “Let’s Get Metaphysical,” and each chapter begins with a short play in the style of a Socratic dialogue. These tonal shifts give the book something of an identity crisis. His argument is difficult to enter into and engage with, potentially undermining its effectiveness. Posner’s work is likely to overwhelm lay readers, and his lack of citations may put off academics. Posner is clearly widely read and knowledgeable about the topic, but he could go further in helping readers along. Those willing to do their own heavy lifting regarding the history of philosophy and theology may be able to grapple with Posner’s book; readers not interested in doing so may be left in the dust.
Complex and alienating, but a bold effort.Pub Date: March 22, 2012
ISBN: 978-1936940240
Page Count: 140
Publisher: Metafisica
Review Posted Online: Jan. 11, 2013
Review Program: Kirkus Indie
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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