A well-pitched story of inclusiveness and community endeavor.
In Shoemaker’s picture book, one in a series, a budding young thespian works to make a church pageant a success—despite not landing the part they auditioned for.
Silas, a brown-skinned child with a pageboy haircut, is a born actor (“I’m ready for my close-up!”). Excited to audition for their church’s Christmas pageant, they make their own angel costume, learn their lines, and audition. When the cast is announced, however, Silas is listed not as the angel but as a shepherd. Silas wanted to sparkle; their parents assure them that they can do so in any role. On the night of the performance, the boy cast as the angel goes missing. Silas finds him hiding in a closet, crying because his costume doesn’t fit. Silas helps to adjust the boy’s halo and belt, and the show goes ahead, to roaring success. Shoemaker narrates with straightforward, nonrhyming text. Silas is coded as nonbinary, using they/them pronouns. Refreshingly, their gender identity isn’t the focus of the story—it’s an aspect of Silas that’s accepted without comment in a setting that includes, as depicted in Taranggana’s upbeat, appealing illustrations, children of various ethnicities (one of the cast members uses a wheelchair). Supported by their parents, Silas quickly comes to embrace the moral that many helpers make a success, and they’re all stars of the show—a welcome message indeed.
A well-pitched story of inclusiveness and community endeavor.Pub Date: Nov. 3, 2026
ISBN: 9781957833231
Page Count: -
Publisher: N/A
Review Posted Online: Aug. 10, 2026
Kirkus Reviews Issue: Oct. 15, 2026
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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